Monthly Archives: August 2015

The Mystic Chakra of Sharika Mata (Tripuasundari) at Hari Parbhat

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“Hari Parbhat” also known as “Sharika peeth” is one of the most holiest sacred Place for the Hindus of Kashmir. Legend says that at this Place, Goddess Sharika killed the demon “Jalodbhava”. The Goddess in the form of “Haer”(Myna) at the behest of her devotees dropped a Pebble from above on Jalodbhava. The pebble became larger and larger. When it Hit the Demon, the pebble had grown to the size of a Hill.The Demon was crushed under the Hill. The Hill that dropped on the Demon came to be known as “Hari Parbaht”. The Mother Goddess resides there by the name of “Sharika” or “Tripursundari”. The eighteen-armed Goddess is considered as the presiding deity of the Srinagar city. She resides here in the form of syambu “Sri-Chakra”, also known as “Maha yantra”.This mystic Chakra is self-engraved on the Holy Shila( a vertical rock smeared in sindoor).Since the Divine Mother resides in the form of a “Chakra”, hence, she is also locally known as “Chakeshwari” and the place/temple as “Chakrieshwar”.

The significance of Sri-Chakra , is written on a Board in the premises of the temple. I am merely reproducing it verbatim.

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The sacred “Sri Chakra”, commonly known by the Hindus as “Sri Yantra” is composed of circles and the lotus petals, contains nine independent trikonas(Triangles), mystically drawn within the other. The four Triangles that point upwards represent “Shiva” and the other five pointing downwards represent “Shakti”.The Shiva Triangles are called “Sri Kanthas” or Shiva element, and the Shakti triangles are known as “Shiva-yuvatis” or Shakti element. All these are quite independent of the central Bindu and are formed by the Mulaprakrati of Shiva Bindu.
The intersecting triangles represent the play of creation, protection and absorption of the whole universe by the pure divine force known as “Sudha Shakti”.The central point in the Chakra is Bindu which symbolizes the union of “Shiva with Shakti” or “Kameshwar with Kameshwari”.
“Sri Yantra” is, in fact, the most magnificent composition of nine independent trikonas, charged with the supreme occult significance. The Trikonas in their upward and downward positions intersect one another and form themselves into forty three big and small triangles. All these triangles are enclosed in the first inner circle on which is drawn one Lotus with eight petals called “Ashta Dal”, which represents the mystical lotus of creation. The another circle following this with sixteen petalled lotus, drawn on it is called “Shada-shadal”. This Lotus is significant of sixteen kalas or phases of the moon. The whole set of triangles and the Lotus petals are further enclosed in triple concentric circles or three-fold girdles called “Trimekhla”, The whole diagram, forming the mystical chakra, fixed in a square, with triple parallel lines, having four openings or gates on its four cardinal points make up the Devi’s mansion. In the center of the whole composition lies the Bindu(point) which, in fact is the mysterious matrix of the Maha-Yantra. The description of this “Yantra” is given in sloka 11 of “Sundaryalahri”, reproduced just below the Yantra itself.
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The “Yantra” is adopted for the worship of the mighty “Shakti-Lalita Devi” and is considered to be the most popular symbol that the Icon or image of “Srividhya” i.e “Tripursundari” herself.
The mystery of “Sri Yantra” is quite remarkable. Its secret doctrine is largely acknowledged even by the renowned foreign authors and scholars. While acknowledging the mystical performance of these mysterious Yantras and Mandals, a foreign Scholar “Shree Guiseppe Tuccti” has stated In his book, “The theory and practice of Mandals” that the best example of Hinduist Mandal is the one called “Sri Chakra” or the wheel of “Sri” i.e the mystic wheel of “Shakti” or divine power, which is the motive force of the universe and by virtue of which God manifests and displays himself in things which are all of necessity the effect of Shakti itself. Since without “Shakti”, God can do nothing. One can well imagine and understand the might of this “Shakti”, which the God himself has acknowledged as stated in “Sundarya-Lahiri” that only conjoined with thee Oh! “Shakti” have I the power to be the absolute lord otherwise I would not be able to move. Such is the mighty “Shakti-Lalita-Devi”, the ruling Deity of this celebrated “Maha Yantra”.
The “Yantra” can be described in two ways.It may be started from any of the four gates of outer Chakra and worked inwards towards the central Bindu or in the reverse order, It may be started from the Bindu and worked outwards towards the gates. The former process is called “Layakrama”(involution) and the latter “Srashtikrama”(Evolution). Here it is described in the latter way.
Starting from the central point (Bindhu) and ending with the for gates the whole complex is divided into nine Chakras or wheels called Yantras which according to “Tantraja Tantra” are:-
1.Central Red Bindu, described as ……………………………………………………………………………………………Sarvanandmaya.
2. Central White Triangle, described as…………………………………………………………………………………….Sarvasidhipradha.
3.Eight red Triangles, described as ……………………………………………………………………………………………Sarvaroghara.
4.Ten Blue Triangles, described as…………………………………………………………………………………………….Sarvarakshakar.
5.Ten Red Triangles, described as……………………………………………………………………………………………..Sarvarthasadhak.
6.Fourteen blue triangles, described as ……………………………………………………………………………………Sarvasaubnagyadayak.
7.Eight Red Lotus petals, described as……………………………………………………………………………………….Sarvasamksobhan.
8.Sixteen blue lotus petals, described as …………………………………………………………………………………..Sarvaparipuraka.
9.Surrounding Yellow ground between the outer most circle and four gates……………………………Trilokyamohan.

Explaining the complex of these yantras the sacred, “Tripuramahimstrotam” says that the same “Mulavaidyaksars” as having contributed towards the unfolding of this “Sri Yantra” are responsible for the evolution of this universe as well, when it says that:-
(a) From the “Lakar”, which, according to “Laya-Krama” represents the first outer chakra i.e the yellow surrounded ground, This “Pararupa” earth on which we live has been born and on which there are Mountains, Forests, Grooves, fifty peetas(Seats), all places of pilgrimages, all Ganges, all “Khetrasthanas”, this chakra is known as “Trilokyamohan”, that is the Enchanter of the Universe.
(b) From “Sakar”, representing the second chakra of sixteen blue petalled lotus, it took the form of the Moon, Stars, Planets, Zodiac(Rashi Chakra).This Yantra is described as “Sarvasanksobhan”.
(c) In “Ikar”, which is represented by the fourteen blue triangles, It is “Turyamaya” or the creator of the universe. This yantra being fourth in the order is described as “Sarvasaulhagvadayak” i.e all auspicious.
(d) In “Ekar”, which obtains the fifth place in the order and it is represented by Ten Red Triangles the “Vishavi Shakti” manifests herself as one engaged in “Vaishvaplan” (preservation of the universe). This Yantra is described as “Sarvarthasadak” or fulfiller of all desires.
(e) In “Rakar”, which is represented by ten blue triangles and is the sixth yantra in the order, the all luminous and the most flaming aspect of the deity is revealed.This Yantra is described as “Sarvarakshakar”-That is all protecting deity.
(f) In “Kakar”, the shakti is radiated as “Kamda” or granter of all desires, “Kamrupni” or changer of form at will and “Avaya” or eternal. This Yantra, represented by eight red Triangles and occupying the seventh position in the order, is described as “Sarvaroghara” or curer of all diseases.
(g) The eighth Yantra which is represented by the crescent shaped central white triangles is known as “Vishvayoni” or the Womb of the Universe signifying the Karnam or the cause.Here Shakti is identified in “Shunyarpa” (Zero or void form) of the Bindhu Rupa Shiva. This Yantra is described as “ Sarvasidhiprada” or giver of all Siddhis.
(h) The ninth and the last Yantra, represented by the central Bindu, is described as “Sarvanandmaya” i.e all pervading and all blissful flaming Shiva or “Shivajyotimaya”.

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The wheel of the universe( Sansar Chakra) is thus equated with the “Mulavidya” and identified with the “Sri Chakra”.The letter established in Lakar,Sakar, Hakar, Ikar, Ekar, Rakar, and Kakar and associated with various Yantras described above, are its “Beejaksharas”(seeds) and the protecting deities, which are symbolic tattwas, are the Shivas themselves.
The central Bindu has three fold aspects. It is called “Bindu Triya”.The upper part of this focal point, represents the face of Devi and the two below it, her breasts. This is the symbolism of worship in which such anthropomorphic forms are employed by the worshippers who clearly see such images as they are carved or conceived in their minds during their worship. More abstractedly the three Bindus are compared to the Sun, Moon and the fire representing the names given to the aspects of “Para Bindu”.
While commenting upon the Yantra worship, Sir John Woodroff, (Arthur Avalon) another learned Scholar and noted Author says, “that the more experienced and correct view is that the mind is shakti, which is a particular manifestation of it. By continual and repeated practice in that Chakra after Chakra everything becomes divinized” and again hesitates that “Practice of the ritual transforms the mind itself and what is at first seen merely as an external Yantra with lines, curves and petals, becomes a pure mental state in the Sadhka himself. He too is a “Sri Yantra” and realizes himself as such.. The body of the Sadhaka is thus identified with “Sri Yantra” and its nine apertures (Naudwar) correspond to the nine chakras in the Yantra. The Human body, is as such considered like an Island of nine gems which are described to be:- Ajas, Sukra, Majja, Meda, Asti, Mamsa, Roma, Tvak and Rudhir. “The object of the worship of these chakras, as such is the realization of the one Abedabhavana of the Knower who is the one’s own self-(Swatma) or the worshipper, the knowledge and the object of the Knowledge i.e the “Sri Chakra” itself. In fact worship of sri yantra is the unification of these three-The knower of the Knowledge and the object of the knowledge.”
“This celebrated yantra”, says Sir John woodruff further, represents the human body, the whole universe and the man for what is in the former is in the latter and vice-versa as also the Shiva Shakti Swarupa or Atma. It is thus the symbol of Devi as she is in her own form (Swarupa) and as she is in the form of the universe (Vishwatma).

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According to the TANTRAJA TANTRA, there are 960 yantras which are assigned to ADYA, NITYA AND LALITA, the three Goddesses, who are known as “Tripurasundari”. Conjoined in one.
Different fruits are gained by worshipping different Yantras. Of the 960 Yantras the principal one’s are:- Sri yantra, Puja Kamal Chakra, Amritghat, Siddhavajra, Kesthavajra, Wajralinga, Merulinga, Yoni, Vajravajrak, Maha Vajra and Vajra.
Yantras are purely linear diagrams. They are drawn provisionally or permanently. When it is desired to be drawn permanently, It is inscribed on a stone or on copper or Bronze Plates that are often seen in Hindu temples, Shrines and other places of worship. Righteously, the Yantra deserves a place in every Hindu Home if one desires to be happy, prosperous and free from ailments.

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The legend of Ksheer Bhawani-Tulumulla

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Ksheer Bhawani temple situated at Tullamulla,in the Ganderbal District, is an important shrine.The temple is associated with the Hindu Goddess ,Ragyna Devi.An Annual festival is held here on Jest-Ashtami(May-Jun) when Hindus visit this place in large numbers.Pilgrims also throng on every Shukla-Paksh Ashtami(eight day of waxing moon) round the year and perform havans to please the Mother.
The historic temple of Ksheer Bhawani was built by Maharaja Pratap Singh in 1912 and later renovated by Maharaja Hari singh. Surrounded by streams, the place abounds in Chinar Trees in-and-around the compound complex, within which is a Hexagonal spring, wherein the Diety of Goddess Ragyna is decorated and housed in a small White marble temple.
The legend goes that Ravana worshiped Mother Ragyna, who showered her blessings on his Kingdom. The goddess thus resided in Srilanka. Later on due to Ravanas misdeeds, the Goddess cursed him and ordered Hanumanji to take her to “Satisar”(Kashmir).A place cut off from the outside world by snow-clad Mountains.The Mother on her vehicle along with 360 Nagas, was installed at Tulumullah. Exclusively preferring Milk, sugar and all vegetarian form of offering,The Mother is worshiped by the name of “Maha Ragyna”.

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The abode of the Mata Maha Ragyna is mystic spring.This mystic is only one, and one in four of the world, where numerous Nagraj and their Ashtakul-Nag Devas reside. Sh.Ganapati, Bhimraj and Kumar reside at the door of Amrit-Kund.In the middle of Amrit-Kund, towards East resides Astanag Devas namely Vasukinag, Neel Nagraj, Takshak Nagraj,Padbnagraj, Maha Padam Nagraj etc. In the center of the Amritkund, Anant Nagraj resides which is surrounded by one thousand crore Nagas having two thousand eyes and two thousand tongues.Mata Maha Ragyna is seated on this Anant Nagraj on the one thousand petalled Rose.The temple in Amrit Kund is a divine invitation to all the devotees to see how Para-Prakrati Functions.It is vivid(intriguing) that the colour of the spring changes, serving as an oblique Omen, about what is going to happen in near future.The pink, Milky, light Green colour of the spring suggests the Auspicious Omen, and the Black, dark Red indicates the wrong and inauspicious Signals.
Tulmulla Nag, where the Mata Maha Ragyna resides, in the form of Jal-Rupi(water-form), having the form of water or Serpent has allegorical meanings.The surrounding water of Island is the Ocean of infinite life energy full of dormant potentialities Which spread unfold, expand and transport into tangible reality,The Goddess under the Canopy is the precious stone that grants all desire.
As late as 1844, People used to cross the marshes by walking over Reeds growing in the Sump.The legend has it, that the curiosity about the spring spread further, when the learned Brahmin, Sh. Govindjoo Gadoo had a vision of the Goddess, who manifested herself as a serpent.The devotee Brahmin carried a vessel of Milk, arranged a Boat, rowed through the marshes of Tulumulla and upon reaching the sacred spot to which the Serpent/Spring Goddess had led him, slowly poured out the Milk.

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Supreme Mother Ragyna is variably  “Maha Ragyna”. The word “Ragyna” means the divinity of establishing, preservation and protection of manifested world. She is the most adorable Mother, who brings forth the entire Universe. She keeps the cycle of life in the process through different tires of consciousness, known as “citta-agni-kunda-sambhuta”, which refers to the consciousness aspect. She accepts no trace of ignorance. She is the vaishnavi sprit, always in the tune with her consort adored as “thousand faced-Bhuteshwara”.
As we know the Vedas, tantras and Sutras are the rare source of knowledge of the supreme reality, which on the practical realization give true solace and eternal joy.Among the paths, suggested by the sutras for realization of the truth, sufficient importance has been laid on the path of Devotion.The sincere, clear and true devotion lies in the sense of Motherhood, which is an undeniable fact.Supreme power therefore is approached and worshiped  as mother.The mother is thus the supreme reality, supreme love,supreme beauty. Realization of this truth supreme sublime and divine as Mother is the final beautitute  of life.
Ksheer Bhawani is eulogised as the Goddess of learning and Knowledge on the mundane level and Goddess of wisdom and enlightment on the spritual level.She values education and grants blessing for various examinations to all her Devotees.It is said that all the leading saints have undergone penance “Sadhna”, in the Ksheer Bhawani complex, and got the spiritual  Bliss at this Place.

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