Category Archives: hinduism

The I-I (philosophy)

In Yog vashist, an allegorical anecdote is repeated ‘N’ times…
A witness witnesses a crow sitting on a coconut tree.As soon as the crow flew , a coconut fell down on the earth.The witness wrongfully co-relates that because the crow flew from the tree; a coconut fell down.
In reality, if the crow hadn’t flew, the coconut would have still dropped down.

It has been mentioned that it is the wrongful identification with this body(or mind) that is the root cause of all ignorance.

Sage vashist reveals to Rama that the greatest virtue is the renunciation of mind-the ephemeral ‘l’.

This ‘I’ is the reflection of the real unversal ‘I’-the Shiva. Shiva is the supreme ‘I’, the consciousness of the consciousness. The transitory ‘I’, that is according to KS-the contracted form the universal ‘I’- embodies itself or limits itself or creates an feeling of a separate ‘I'(duality or maya)

Out of play, the shiva(consciousness)(experient)who has the nature of Ananda(bliss)-wants to experience ‘Ananda’ in knowledge(pramana) as well as object of knowledge(prameya).But to have these both attributes, there should be time, space and ‘I’.

The supreme ‘I’ because of ‘Bliss’ creates maya, and the only one I.e ‘I’-the shiva-gets contracted , the attributes of universal ‘I’ gets contracted too once it comes In contact(or enters) Maya.

According to KS..following contractions happen to the universal ‘I’- who is originally full of
Chaitanya(consciousness)
Anand(bliss)
Iecha(will)
Gyan(knowledge)
Kriya(action)…

Chaitanya gets contracted and becomes Kala(कला)-limited creativity
Vidya(limited knowledge)
*Raga(attachment)*
Kaal(time)
And Niyati(…this is space)

Because ‘I’ the Shiva(consciousness of consciouness) is the universal first person, it always remains the first person, ‘I'(though limited, once it comes In maya) and the knowledge and object of knowledge remains the 2nd/3rd person. Because ‘I’ loose the unlimited creativity(because of contraction and becomes Kala) , the unlimited knowledge associated with it too gets contracted(vidya)….Then arises Raga(attachment)…..the ‘I’ is in the process of attaching itself to the objects of all the duality or differentiated consciousness. It becomes this whole universe full of sentient(in the form of knowledge and object of knowledge) and insentient beings(in the form of knowledge of insentient)….The universal ‘I’ becomes the ‘I’ of you and me and all beings.

Kaal and niyati…in other words denote the time and space. Space is internal too i.e ChidAkash…it denotes the space inside our mind, where thoughts and feelings rise and fall…

A child remains in the stage of non-duality(and bliss) , till he/she ignorantly superimpose their consciousness on their bodies and entrap themselves as , ‘I am this body ( in time and space)

If we meditate on the transitory ‘I’, and try to find out the source ‘ME’, we realise that we or ‘ME’ is a witness to all the physical and mental activities.We can negate anything and everything that we are witness of, because that is the 2nd/3rd person and the witness (of witness) always remains the first person.

If we delibrate further, we can go up to the void, out of which the mind and its thinking faculity arise. It is not possible to go beyond that void, through the means of mind -which is a synonym of duality.

Vedantis say when we are not aware of ourselves, mind comes into effect instantly; and when we concentrate on mind, it ceases to exist and we remain just as an awareness.But to maintain that awareness is difficult.

‘I’ of supreme consciousness  is non dual in nature so is the transitory (dual) consciousness as long as we maintain/center our awareness on it.

It too is pure awareness as long as we maintain that one-pointednesss. And it becomes truly dual ‘I’ when that awareness is broken, and that ‘I’ becomes the source of all duality…

However….it like shiva-The universal first person always remain the first person.

Abhinavgupta has mentioned Shiva as the ever present ‘NOW’, Shakti as ‘Future’ and past as ‘Pashu’ or ephemeral being.He also mentions that future and past have their origin in ‘NOW’-which is ever present.

This ‘NOW’ is again the synonym of ‘I’ or awareness.

In our lives too, everything is centered around ‘I’. Thinking of past or future is possible only because of ‘NOW’-the ‘I’.without this ‘I’ nothing exists not even ‘NOTHING’ or ‘VOID’.

The ephemeral being as written above denotes himself as ‘I’ and almost everyone belives or has experienced that ‘HE’ has never really changed, though his body has grown old. Somehow the witness(I) of the changes never change.

Subconsciously and linguistically, we have firm faith that the witness(I) is eternal.if someone dies, we say , May he go to heaven’ or VBAJ. What does that mean!

Who will go to heaven or Vaikunth? For example, if I imagine of my death, I immediately picture myself in Heaven/Hell or Vaikunth. Who is it that I am imagining myself to be! I will have no physical body but that does not deter me.Isn’t it that the ‘I’ that I imagine to go to heaven is the witness-whom I know by ‘I’.

It is for that ‘I’ we perform ‘Shraddh’ or other religious practices as we (all human race) have firm belief that the witness will remain, though somewhere else.

The ‘I’ is the first thought that arises when we wake up in the morning and it remains the last when we fall sleep.The dreams too are centered around the ‘I’ and so is the deep sleep.

Shiva- the ‘I’ is sarv-vyapak(ever pervading). He is the awareness of awareness.Revealing and concealing his own self is his play.

But nonetheless , he remains in us as the ever present witness whom we call ‘I’ .

 

(based on the philosophies of Vedant and Kashmir shaivism)

Lord Spontaneous (Shivratri-Herath)

The esoteric form of Shiva as Swacchand Bhairava with his consort Agoreshwari is central to Kashmir Shaivism, writes Sunil Raina

Shivaratri, celebrated on the 13th day of the dark fortnight of the month of Phalgun, is also called Har-ratri or Herath in Kashmiri. The festival has great religious and spiritual significance as it coincides with the emergence of Shiva tattvas on the physical plane. Shiva, at the early dawn of human creation, thought of Shakti, and in her search, donned the form of 18-armed Swacchandnath Bhairava.

Shakti, frightened by this form of Shiva, cast a glance on a pitcher full of water, wherefrom emerged Vatuk Bhairava and Rama Bhairava to defend her. Shiva at that time changed his form to Jawalalinga. Amazed by Shiva’s new form, Shakti along with her defending bhairavas merged with the Jawalalinga. Since this event is believed to have taken place on triyodashi, Kashmiris celebrate Shivaratri on this day, whereas the rest of the country, celebrated the festival on chaturdashi when the linga was pacified.

The esoteric form of Shiva as Swacchand Bhairava with his consort Agoreshwari is central to Kashmir Shaivism, and has been in existence since medieval times. Swacchand Bhairava signifies the prakasha, or the light consciousness, and Agoreshwari signifies vimarsha or Self-awareness. Swacchanda — as the term is understood — means free, independent and spontaneous and is synonymous with Swatantra. Kashmir Shaivism says that nondual conscious freedom is the only freedom that exists where the union with the Absolute is singular, amounting to you being Shiva, and is not dual.

This esoteric form of Shiva is imagined and deified as:

lWhite, five-faced and wide-eyed lord.

lHe is adorned with serpents and wears a necklace of scorpions which is called gunas. The word gunas in Kashmiri means serpent; Kashmiri women wear gunas bracelets that have at their ends, two serpents or red scorpions gazing at each other. This is symbolic of his instantaneous play with the bonds of soul.

lHe wraps a lion skin around his hip and an elephant hide over his shoulders.

lHe wears a garland of skulls, has a black throat and 18 arms.

His consort, who sits on his right thigh, has the same characteristics. By the power of his autonomy, the lord manifests this form with the highest level of Shakti. The lord has done so to facilitate and allow aspirants to enter the light of impartible that is indivisible or nondual as there is nothing like this in appearance anywhere else.

He is wide-eyed. He is in Bhairava Mudra intent on liberation of souls. He is focused within. He neither opens nor closes his eyes. He is overflowing with consciousness and bliss and has three power tools: icchha or will; jnana or knowledge and kriya or action. It is with these tools that Swacchandnath Bhairava manifests this universe with his fivefold acts of shristi or creation, stithi or sustenance, samhara or dissolution, triodanha or concealing and anugraha or revealing.

lBy his act of shristi, he holds and nourishes the universe in a way that he manifests the universe on the panoramic canvas of his identity.

lStithi is the persistence, the moment in which the consciousness is immersed in its projected content.

lSamhara is retraction; consciousness reabsorbs the content it has projected, essentially turning it towards nondual essence.

lTriodanha is enfolding or concealing of creation with respect to time and space.

l Anugraha is unfolding or revealing projections in the manifest world.

With these fivefold acts, Swacchandnath Bhairava, along with Agoreshwari, create an animate and inanimate world, thus unleashing the divine play of reality. The world is nothing but the mirror image of Swacchandnath Bhairava, and to recognise this unity between the individual soul, is the purpose of a well-meaning life. Shiva spreads the nectar of creativeness; shields the jivatman from torturous transmigration; brings forth the inner consciousness by tearing apart the individual ego, which essentially is ignorance; terminates maya; binds the universe and brings forth bliss, which is unlimited.

The night of Shivaratri is essentially considered to bring supreme awareness of Shivahood on the physical plane among aspirants. It removes nonduality among the souls and pushes the seeker to the higher orbit of Self-realisation. The festival of Shivaratri is celebrated with grandeur and reverence in every Kashmiri Hindu household, where each family member observes a fast and contributes towards making this festival a great success.

 

Written by:-Sunil Raina

The Night-A story of a Kashmiri Hindu.

It was jan 1998. Veenaji was in the Kitchen. Her Husband Roshanlal was reading the newspaper in the living/Drawing room of their cramped two-room Govt. Quarters at Tope Sherkhanian. She could hear the flipping  sound, when her Husband turned the leaf of the Newspaper. She was thinking about her children, who were perusing   ‘B.E’ in Pune. A knock at the Door was heard clearly in the backdrop of the silence of the Quarter. Roshanlal stood up and opened the Door. A man was standing outside.

“Namaskar Roshanlalji. I am Irfaan. Your neighbor from Banamohallah”. Veenaji too had heard the’ knock’, she came out from the Kitchen out of curiosity. Her Husband, greeted Irfaan. “Come inside. Why are you standing there!  “. Pointing towards Veenaji, Roshanlal asked Veenaji, “Did you recognize him?” The face looked familiar, But She could not recognize him. Irfaan, it seemed understood the confusion of Veenaji. “I am the Son of Khatijah. Remember my Mother! “.  Veenaji’s face lit with happiness.“Yes. I remember her. How is she?” asked Veenaji. “ She died last year because of Heart Failure.” Said Irfaan with regret. She was saddened to hear what he said. “I am so sorry. Please have a seat. I will make tea for both of you.” She went back to the Kitchen.

Irfaan had come to Roshanlal to persuade him to sell his share of  ancestral house. Veenaji was listening to them, while she started making  tea . The memories of her last visit to Kashmir were still vivid. She recalled how she along with her Husband Roshan Lal and their two  Children , a Son-Sachin and Daughter- Meenakshi had moved to Jammu .Her Husband was working in the Govt.Secretariat. They used to live in the Govt. Quarters Tope Sherkhanian. They had moved to jammu in Dec-1989.

J&K has two capitals, i.e, summer capital-Srinagar and winter capital-Jammu. Every year,In winters, the employees of the Govt. Secretariat would move to Jammu for 6 months ; and move back to Srinagar in summers for rest of the 6 months. This custom was/is in vogue since the times of Dogra Rulers . This was/is termed as “Durbaar Move”.

veenaji lit the Gas Stove. She put some milk, sugar and water in an utensil and placed it on the stove.  She looked through the Kitchen Window, although she was not looking at anything, But her past.

The memories of the past started flashing in front of her eyes.

Veenaji and her family loved the winters of Jammu. It would be sunny and warm in Jammu, compared to the cold and gloomy weather of the Srinagar winters. But that year,in 1989-90, It was different. In spite of the warm and sunny weather, she would occasionally feel the shivers. Not because of the weather, but because , on T.V and Radio, she would listen to the news . The merciless killing of the Kashmiri Pandits had started.

And then came the horrendous macabre night of 19 jan 1990.And everything changed after that.

In the last week of Jan 1990, that late night, Her elder Brother Makhan lal along with his family landed at their residence in Jammu. He had come by a taxi. His old mother –Amaji, wife-Lalitaji and two sons Rakesh and Sunil too had come.

As soon as they arrived at their residence, Lalitaji hugged tightly Veenaji and started crying. “it is only by God’s grace that we have reached here safely.” She complained amidst sobs . Amaji tried to console her as she said, “Lalitaji, don’t be a weakling. Be bold. You have yet to face the hardships of life. Be always grateful to God.”

They stayed with Veenaji for some days with this hope that the violence unleashed by the terrorists will be abated soon. But  the destiny of Kashmir had its own plans. After a month, They realized that it might take a long time before they would return back to Kashmir. It was decided by the two families that, they would enroll their children in Jammu for studies , as it was safe.

Since Veenaji and her Family didn’t knew that the situation would deteriorate so much in Kashmir; hence when they had moved to Jammu on the eve of annual “Darbaar move”, they had not taken any documents such as the Mark sheets and other educational documents related to the education of their children. Without these papers, it would be very difficult to get the admissions in the Schools and Colleges. Also, She wanted to get  the documents related to banks such as FD, Saving a/c etc.

Somewhere in  March 1990, She decided to go back to her residence at “Bana Mohallah” , Habbakadal, Kashmir.It was decided that Her sister-in-law lalitaji too would accompany her. In fact Lalitaji had volunteered herself to accompany her. The Males of the House were barred to go to Kashmir as they were more prone to be Shot by the Militants.

They flew to Srinagar and  landed at the Airport by 3-4 P.m. It took them almost 4 hrs. to reach their house at Bana Mohallah. The lanes and by-lanes were muddy as it had rained the previous night. Some Muslim neighbors , who saw them entering their Mohallah, murmured something. By their Gaze , it looked  as if they didn’t wanted them to be there. As they were about to enter their House, Khatijah-the neighbor and friend of Veenaji , came from nowhere and greeted her with a Broad smile. “How are you veenaji. I missed you. Now since Durbaar move will be over shortly,   you be staying  in Kashmir till November!” she exclaimed.  Veenaji  warmly asserted “No, I will stay here for a few days and rejoin my family. We will come back in Mid-April.” She half-lied.  Veenaji knew that she will leave Kashmir tomorrow for Jammu and may not come back next month.

“Then stay put for the night at my house. The curfew will be imposed very soon and you will not get Rice and any other food-item after 15 mintes ”  Pleaded Khatijah.  “ I have brought some rice and Dried-vegetables with me. Thanks .” Veenaji  kindly declined. But Khatijah kept her conversation going and it took another 20-25 minutes before Veenaji and her Sister-in-law entered their house.

Veenaji’s Husband  Roshanlal lived in their ancestral house along with his three Brothers and 3 cousins. Their house was Big and hoary with a courtyard. Though, the house had 25 rooms, But it housed 7 nuclear families. Roshanlal, his 3 Brothers and 3 Cousins(Brothers) though were living in one house, But the wives of all the 7 brothers had decided to cook separately , in separate Kitchens, for their Families(consisting of Husband and Children).All the 7 Brothers had partitioned the 25 rooms in almost equal proportion. Apart from a Kitchen, Veenaji and her Husband had inherited 2 big rooms.

On a normal day, prior to 1990, their house was abuzz with activity. In the morning and in the evenings, many a times, one would hear the synchronous hissing sound from the steaming pressure-cooker, coming from 2 or more Kitchens of the House at the same time. The floating aroma of Knol Khol(Hak) or lamb-meat would titillate the Olfactory of the whole neighborhood. In the afternoon, the shrilled voices of the Children playing in the courtyard was common .In spite of 7 separate kitchens, Veenaji and her 6 co- sister-in-law would often share their delicacies with each other.

But the House was different this time.

As soon as Veenaji entered her House, she was welcomed by the eerie silence. It was frightening. All her 6 co-sister-in-law and their families too had moved to Jammu. The last family that had moved from this house to jammu was almost 15 days back.As she climbed-up the stairs of her house, a strange fear crept  into her heart. It was almost 8.00 P.M by now and the darkness had covered almost everything.

She and Lalitajee were feeling the Hunger pangs. Into the utensil, Veenaji took a handful of rice from the polythene  bag , she had brought with her from jammu. Soon, she realized that she has forgotten to get a matchbox or lighter to light up the cooking gas stove. “I will go downstairs to Ashaji’s kitchen and get the lighter .” she informed Lalitaji. “Do you have the keys of that Kitchen?” asked Lalitaji. “No, she never locks her Kitchen.” Replied Veenaji. “It is so scary here, I too will accompany you.” Said Lalitajee.

The Kitchen-door was indeed unlocked. As soon as Veenajee, switched-on the light, her face became pale out of fear. Shockingly, she exclaimed “Oh! My God. Someone is cooking here!”  . “Hey Bhagwan ! what will we do now?” asked Lalitajee nervously. She was Gaping and beating her chest. Veenaji  knew that her sister-in-law is weak-hearted and might behave strangely or may even faint.

She assessed the situation quickly. There was a matchbox lying on the ground. Many burnt match sticks were scattered over the floor of the Kitchen. From The cooked rice in the utensils, it looked as if ,just a few hours back, someone had cooked it. She did not waste much time in investigating. She opened the cupboard that was at the right corner of the Kitchen. She swept her fingers over the things in the cupboard and soon took a lighter , a torch and a candle from the cupboard. And switched off the main light of the Kitchen and closed the door.

“Follow me quickly”, she whispered . Lalitajee did not protest and followed the instructions. “As we know, someone is using the Kitchen of Ashajee, It might be a militant or a group of Militants. We cannot afford to switch-on the lights and invite any unwanted trouble. Understand Lalitaji?” she looked at her sister-in-law. Lalitaji was very scared, but she acted Bravado and said , “Yes, I do. You are right. But can we make the dinner for us?” she asked. “No. We cannot, since, the aroma of the Rice might give them a clue, that someone is inside the house.” she explained to Lalitaji. “Anyways, I don’t feel hungry now”, lied Lalitaji.They ran up towards the room.

Veenaji  pulled an iron-Chest, that was placed at the corner of the room . She opened the lid and switched-on the Torch. suddenly, Lalitaji could see A bundle of papers, some folders containing some documents, a photo album, and some books. Veenaji took only a couple of  Folders from the Box, closed the lid and placed it to the original position. Lifting the two folders in her hands, she said to Lalitaji, “This is for what we came here and took all the trouble”. She kept the two folders in the bag, that she had brought with her from Jammu.

They were sitting besides a window, so that they could have a direct and unobstructed view of the main Door, leading towards the courtyard. As it was still quite cold, they had draped themselves in the blankets. The main wooden Door of their House was Huge. A big rectangular latch, may be one feet long and 5 inches wide was connected to a wooden Knob  .The latch moved up or down angularly, if the Knob was rotated. The latch faced towards the courtyard and the Knob towards the by-lane. It would make a lot of noise, if someone would open or close the Latch of the Door. Lalitaji was constantly praying to Mother Goddess for their protection. They had even made a plan, in case a militant or a group of Militants enter their house.” In case any intruder comes here, we will slip beneath the Bed. Understand!” explained Veenaji to her Sister-In-Law. Lalitaji had nodded her head in approval.

Just past the midnight, It began to pour heavily. The staccato of the rain hitting the tin-roofs of the Houses was rather unwanted and irritatingly. The odd street lamp positioned on the pole went off too.  It was pitch dark outside. Because of the pitch darkness and noise, they thought, they have lost the chance of detecting  any intruder. Lalitaji was chanting the Hymns of Goddess Indrakshi rather loudly to invoke the blessings. But the sound  of heavy rains superseded her frequency of voice modulation .It stopped raining after a couple of Hours.

Both of them were feeling very sleepy. Pretending to be vigilant at this odd hour of the night, they were looking at  the main Wooden Door. They were drowsing. Their heads would inadvertently hit the wooden window pane and they would concentrate briefly their attention on the wooden door again. Then, they would drowse yet again. They did not talk to each other for couple of Hours.

And then Dogs began to Bark. They woke up.

 

A pack of Dogs were barking on a Shadowy figure. The figure, it seemed was waving something to keep away the Dogs. Soon, another figure appeared, it was smaller in the size than the one who was waving something. The smaller figure grabbed the Loose clothing, most probably the ’ pheran’ of the larger figure . It looked as if, the smaller figure was trying to stop the larger figure. And then, their conversation became louder.

“Leave me Aapa, I have to follow the orders”, fulminated the  belligerent larger figure . The other voice, that of a female in a protesting tone said, “No. I will not let you do it. I will talk to them tomorrow. I will tell them to leave”.

Veenaji’s heart sank. She recognized the voice of the female. It was unmistakably that of Khatijah. Her neighbor. Many thoughts crossed her mind. “Is somebody coming here to kill me. Am I going to live for another day or not! Will I be able to see my Children and Husband again.” She was weighed down by the weltschmerz. Tears began to roll down from the corner of her eyes .Fortunately for her, Lalitaji’s attention was focused towards the two shadowy figures and was unaware of the upheaval of emotions going on in her sister-in-laws’s mind.

The lone street light began to glow suddenly. They could clearly see the two figures. It was indeed Khatijah. Veenaji recognized the other figure too. It was Ajaz-The youngest Son of Khatijah. And, he was carrying a Gun. Khatijah had held the collar of her Son’s Pheran. Ajaz was approaching towards the main wooden door of Veenaji’s House. Khatijah was getting literally dragged, but she didn’t let loose her Grip on the collar.

Khatijah’s tone was changing constantly. From dominant to Pleading, she was trying her best to stop her son from opening the Door. But Ajaz was equally adamant. He dragged her to the Gate and rotated the Knob of the wooden Door. There was a creepy , unpleasant loud sound of opening of the wooden latch. Ajaz Kicked the door open.

“Oh my God! He is coming to Kill us.” Screamed lalitaji. She threw the Blanket and ran Hysterically from one end of the room to other end. “ Control yourself  lalitaji. Instead of getting nervous, think of a plan.”, she comforted lalitaji . She too came out from the warmth of Blanket and held lalitaji’s Shoulders with both of her Hands. “ Let us see and listen to what they are arguing about”. Lalitaji followed her without protest.

Ajaz opened the wooden door. Khatijah’s Grip loosened from the collar. But she grabbed the left leg of her Son. Ajaz kept her dragging. Her pheran was smeared in Mud. “ I will kill myself, if you do not listen to me”. She was crying. Ajaz stopped. He lifted up his Mother and began to clean the dirt from the pheran of his mother. She was still crying Helplessly. Something happened. Ajaz hugged her mother and said, “OK, As you wish. Let us go back”, in a comforting tone. Khatijah kissed the forehead of his Son. They both went back and closed the big wooden door. The dogs started barking again.

Veenaji and Lalitaji had a sigh of relief. They kept on looking at the wooden door until the Dawn. With the first azaan of the mosque, they left the house. Veenaji opened the wooden latch of the Door. She looked back at her House. Little did she realized that she was looking at her hose for the last time.

Within no time, they were at Habba Kadal. The security guards stopped them and asked, “Where are you going?”. Lalitaji’s face lit up. “We are Kashmiri Pandits. We are going to RTC. From there, we will board a Bus for Jammu”. The security Guards let them go. They were intersected and stopped by the Security guards at many places. Upon hearing that they are KP’s, they were let off immediately. It took them more than an Hour and a half to reach RTC by foot.

There were Buses and Taxis waiting for the passengers to take them to Jammu. A sardarji approached them. “Where will you go sister? Jammu! Come sister, in my taxi. Let me take you”. Both Veenaji and Lalitaji were exhausted both physically and mentally. They decided to go by Sardarji’s taxi.

They reached Tope Sherkhanian, Jammu by 4.00 p.m. Lalitaji  narrated the whole incident to everyone present there melodramatically. Veenaji had not interfered lalitaji. She wanted her to vent off her feelings.

Veenaji’s Brother’s family had stayed with them for more than four months, before they moved to a rented accommodation at Subash Nagar.

The tea was boiling in the utensil. Some portion of the boiling tea fell on  the Flame of the cooking gas stove. The burning smell of the tea, drew back Veenaji from her Past. She closed the knob of the gas and  cleaned the Stove with a cloth and washed her hands with a soap. After pouring the tea in the cups, she put the cups in the tray and came out of the small kitchen to the living room.She placed the Tray on the top of the Central table.Irfaan and  Roshanlal  took one cup each from the tray.

Irfaan and Roshanlal were engrossed in a conversation and were oblivious to veenaji’s presence. She was wringing her hands impatiently. “How is your Brother Ajaz?”, She interrupted Irfaan, with a tone of anger. Irfaan looked at her, Put the cup down,  and with a deep sigh, he  said with regret, “He died in an encounter with the security Guards 4 years back .He had become a militant. My mother pleaded with him to give up arms .But he did not listen”. And then he looked the other side. “I am so sorry.” Said Roshanlal apologetically. Veenaji did not tried to comfort him. “You carry on. I have some work in the Kitchen. Excuse me.”She said casually as she did not wanted to be a part of the conversation. She stood up and went again to the Kitchen.

She pretended to dish-wash. But for some reasons, once again, the Flashes of the Horrendous night kept coming to her mind…

 

 

 

 

 

The Legend of Sarda, Shankaracharya and mysterious Sandalwood idol…

 

I had heard of the Mysterious  Sharda Temple at Village Sardi(P.O.K) many a times in the past. The word ‘Sarda’ itself is as mystical as is the Goddess Sarda. Kashmir in the past was a synonym to the Goddess. The ancient script of ‘Sarda’ that was once the vernacular of the Kashmiris ; or was widely spoken and written by the learned Scholars of Kashmir, clearly indicates that ‘ Sarda’ had a very deep impact on the lives of the Kashmiris and thus Kashmir.

Namaste Sarada Devi, Kashmira Mandala Vasini (Salutations to Goddess Sarada who resides in Kashmir’. This hymn unambiguously states that the Mystical Goddess was widely believed to live in Kashmir.

The Sarda temple was  just like any other venerated temple of KP’s for me and did not arose special attention, until I read the account of the pilgrimage of King Zain-ul-Abidin(AD 1420-70) to Sharda  possibly in the year 1422 A.D. I found the mention of the pilgrimage in Rajatarangini of Kalhan by  M.A.Stein, ” in the Chapter “The Shrine of Sharda”.

It was rather interesting to note that Sarda temple at one stage in the long History of Kashmir attracted many devotees and Scholars. The area where the temple is situated, was not under the sovereignty of the Rulers of Kashmir in continuity, and intermittently, the area of Sardi was out of bound  for rather long stretches of time. This political constraint dissuaded the Kashmiri Hindus to visit this place as frequently as they used to,  when it was a part of the Kingdom of Kashmir. The rough terrain  and the inclement weather too ensured that the Temple maintained its Aura of mystery , solitude and Spirituality.

For some reasons, I was intrigued to know that  there was a wooden(sandalwood) image of Goddess Sarda at Shardapeeth(Kashmir) and that the original idol was taken away by the Shankarachraya.It crossed my mind that If the original idol was taken away by Shankaracharya,; was the wooden idol of Sarda at the time of Zain-ul-Abidin, a different one then!

Traditionally, and may be historically, if we look into the past, we can easily conclude that the KP’s worshipped the God/Goddess mostly in their natural state/form. For example, KP’s worship Goddess Sharika as a ‘Srichakra’, believed to be inscribed naturally on a Boulder, smeared in vermilion. Again at Raithan temple, Goddess Ragya is venerated in the form of a natural Boulder. A Stone slab is revered as Goddess Bala Devi in Balhoma. Mata Jwalaji in the form of  an uninterrupted, continuous flame is worshipped at Khrew. There is also a stone slab, that too is venerated by the devotees. At other places, the object of worship is either a natural spring or a lake. The exception is for the Stone Shiva-Linga, which is widely worshipped throughout the state.

But a Wooden Idol, and that too of Sandalwood ! seemed incongruous. Before coming to any conclusion, some historical facts documented in the form of Books of History and legends can not be ignored.

The legend of Sharda

According to Mahatmaya, The sage Sandilya, son of sage Matanga, was practicing great austerities, in order to obtain the sight of the Goddess Sarda, who is a shakti embodying three separate manifestations. Divine advice prompts him to proceed to the place-Syamala. There at GHOSA, i.e ‘Gus’, appears to him ‘Mahadevi’, and promises to show herself in her true form( Shakti) in the Sarda’ forest. The Goddess vanishes from his sight at Hayasirsasasrama, (Hayhom), situated about 4 miles to the N.N.E of Gus.

The Sage next proceeds to the Krisnganga, a spring now usually known as Krishnganga, in which he bathes. Thereupon,  half his body becomes golden, emblematic of his approach to complete liberation from darkness. The Naga is situated above the village of Drang also known as Son-Drang. It is this appellation which the Mahatmaya wishes to reproduce by calling the place of Sage’s miraculous transformation ‘Suvarnardhangaka’.

From thence, Sandilya ascends the mountain range to the north, on which he sees a dance of Goddesses in a forest called Rangavati (Rangvor), immediately below the pass by which the route leading from Drang towards the Kisanganga crosses the watershed. He then passes the Gostambhana forest, i.e, the Marg Gthamman and arrives at TEJAVANA, the residence of Gautama, on the bank of the Krisnganga. The Mahatmaya describes at some length, the sacred character of the latter place which is identical with Tehjan(Thagain), a small hamlet on the left bank of the Kisanganga. It then relates how the sage after crossing on the way a hill, on the east side of which he sees the God Ganesha, arrives in the Sardavana i.e, at the present Sardi. After a Hymn in praise of Sarda in her triple form of Sarda, Narada(sarswati) and vagdevi, an account is given how the goddess at that sacred spot revealed herself to the Sage and rewarded his long austerities by inviting him to her residence on Srisaila.

Pitrs also approach there to Sandilya and ask him to perform their Sraddhas. On his taking water from the Mahasindu for the purpose of the Tarpana rite, half of its water turns into honey and forms the stream hence known as Madhumati. Ever since baths and Shraddhas at the Samgama of the Sindhu and Madhumati assure to the pious complete remission of sins, etc.

The mention of this confluence leaves no doubt as to where the Mahatmaya places the site sacred to Sarada. By SINDHU can be meant only the Kisanganga which, as in Kalhana’s days, is still locally known merely as ‘Sind’ , the river. Madhumati  is the name which local tradition gives to this day to the stream that joins the Kisanganga at Sardi from the south.

The temple is believed to be one of the Shakti-peethas(out of 51).It is believed that the right hand of Shiva’s consort-SATI-had fallen here.

 

 

The Mystical wooden(Sandalwood) idol of Sharda

A.Stein has mentioned that the Sharda temple is found in “Jonararaja’ Chronicle. The passage containing it belongs to those additions of the text with which Professor Peterson edition(1896) had first acquainted them. It is mentioned that the tolerant King Zain-l-Abidin(Bada Shah), whose attitude towards his Brahman Subjects was well Known, is believed to have accompanied the regular pilgrimage, apparently in the year 1422 A.D, in order to witness the miraculous manifestations of the Goddess. From the description in the  verse 1057, it seems that these were ordinarily the appearance of Sweat on the face of the image of the Goddess, the shaking of the arm, and a sensation of the Heat on touching the feet.

After bathing and drinking at the Madhumati Stream, the King seated himself at the Sacred spot which was thronged by pilgrims and Temple priests. Owing to the baseness, he witnessed in these people, the King is said to have displayed anger and to have lost faith in the goddess. Having failed to see her manifest herself in a visible and material way, which Jonaraja plausibly explains by a reference to the Kaliyuga and the want of faith in the worshippers, he then endeavored to obtain her sight in a Dream. For this purpose,   the King went to sleep on the night of the 7th day of waxing moon in the month of Bhadrapada in the court of the temple. Sarada, however refused to vouchsafe any sign of her presence to the King in his sleep either. From due regard for the prince’s high personal qualities, the author is forced to ascribe this disappointment to the Wickedness of his servants and the conflux of Mlecchas. Having thus disappointed, the virtuous Zain-ul-abidin, the goddess is said to have, herself, crushed her image to pieces.

It is mentioned unambiguously,  that the idol self-destructed itself. However much later, Alberuni , too has written that a miracle-working image of Sarada, was yet in existence in the early part of the fifteen century, and that its destruction, rightly or wrongly, was connected with a pilgrimage which Zain-ul-abidin made to this site.

In the Sixteenth century, the temple of Sarda must have enjoyed yet considerable reputation in Kashmir itself. This is proved by “ABU-L-FAZL’s” notice of the site(Ain-Akb.,ii.p 365): “At two days distance from Hachamun is the river named padmati(Madhumati), which flows from the Dard(Dard) country. Gold is also found in this river. On its Banks, is a stone-temple called “Sarda”, dedicated to Durga and regarded with great veneration. On every eight tithi of the bright half of the month, it begins to shake and produce the most extraordinary effect.”

Here Haehamn stands plainly for Hayhom: Padmati is an evident clerical error for Madmati, i.e, Madhumati. From the statement which makes this River come from the Dard country, it appears that there is here some confusion between the Madhumati and the Kisanganga, which latter alone can be described as flowing from that region. It must, however, be noticed that a not very clear passage of the Sardamahatmaya,120, seems to ascribe to the Kisanganga also the second name Madhumati.

The notice of Gold being found in the river clearly applies to the Kisanganga, which drains a Mountain region known as auriferous to the present Day. The story told of the Sarada temple Shaking on the eight sudi of each month, is evidently a lingering reflex of the miracle ascribed to Sarda’s image in Jonaraja’s account.

The date indicated is that still observed for pilgrim’s visits to the Shrine, but when A.Stien visited the site in Sep 1892, The legend of the Shaking of limbs or sweat from the forehead of the idol of Sarda was unheard of. In fact, there was no idol of Sarada at all. Instead, a large rough slab on the ground which measures about 6 by 7 feet, with a thickness of about half a foot is worshipped as Goddess Sharda.This stone is believed to cover a KUNDA(spring-cavity), in which Sarada appeared to Sage Sandilya, and is the object of the Pilgrims’ special veneration. At the time of “Stein’s” visit to the temple, a red cloth canopy with plenty of tinsel surmounted the sacred spot. Conches, bells, and other implements of worship filled the remainder of the interior space.

Adi Shankaracharya’s visit to Sarda temple and Kashmir

Most of the Scholars believe that Adi Shankaracharya (A.D-788-820) visited Kashmir in the first quarter of ninth century A.D.

Adi Shankaracharya, a great philosopher is believed to have visited Kashmir in the first quarter of 9th Century (788-820 A.D) .According to writer of ‘Sankara Digvijaya’ — ‘Sankara visited Kashmir after giving a final blow to Buddhism in the rest of India”. PN Magzine,  a research scholar of repute, writes in ‘Shankaracharya Temple and Hill’ that Shankaracharya visited Kashmir with the intention of advancing Vedantic knowledge. That time Kashmiris were culturally and spiritually much advanced and believed strongly in the greatness of both Shiva and Shakti. Shankara did not, at that time, when he visited Kashmir, believe in Shakti cult . PN Magzine mentions that Shankaracharya with his party camped outside the city of Srinagar, without any boarding and lodging arrangements. Seeing the plight of visitors a virgin was sent to meet Shankara. She found the party uneasy and frustrated because of not being able to cook as no fire was made available to them. The first glimpse of Shakti was exhibited to Shankara by this girl, when Shankara expressed his inability to make a fire, in reply to girl’s question that you are so great, can not you make fire. The girl picked up two thin wooden sticks (samidhas) into her hand, recited some mantras and rubbed the sticks and fire was produced to the surprise of Shankara. PN Magzine further adds that later a Shastrarth (religious discourse) was arranged between Shankara and a Kashmiri woman. This discourse continued for 17 days. Shankaracharya yielded before the lady in discussion and accepted the predominance of Shakti cult (greatness of Devi).

According to PN Magzine, after accepting predominance of Shakti cult, Shankara wrote Saundarya Lahari, in praise of Shakti, at the top of the hill, known till then as Gopadari Hill. Pandit Gopi Krishan writer that Panchastavi–gamut of Shakti Shastra–a priceless gem — a peerless hymn of praise addressed to Kundalini. The work has been cited as source book by several eminent scholars, but the name of the author has remained undisclosed”. According to him the only other work in whole gamut of Shakti Shastra in the country, comparable to Panchastavi is Saundarya Lahari. PN Magzine says that Saundarya Lahari is acclaimed as master-piece in Sanskrit literature. After the visit of Adi Shankaracharya to Kashmir, he became staunch believer of Shakti-Shri Chakra – the symbol of Devi (Goddess) as mentioned in ‘Shankara Digvijay’ – Life history of Shankaracharya. Thus we know that even, a very knowledge philosopher, a Saint of greater order- Adi Shankaracharya – gained further depth in spiritualism and mysticism in Kashmir.Kashmiri Pandit – great ‘Mehman Nawaz’ – highly appreciative of knowledge (which has at time proved undoing for them), awarded a degree of the Sharda Peetha, the highest honour conferred on any dignitary of knowledge when Shankaracharya visited Sharda, a famous temple, Shrine of Goddess Saraswati and a famous university of learning.

 

It is believed that was  Adi shankaracharya entered the Sarda temple from its Sothern gate and had a debate with the Scholars of that Area/Temple. He emerged as a winner and was conferred to sit on Sarvanjnanapeetham or Sarvajna peetha(Throne of Wisdom).In his Honor, the southern gate of Sarda temple was closed for ever. The Śāradā image at  Shringeri Shardamba temple was once said to have been made of sandalwood, which is supposed to have been taken by the Shankaracharya from Sarda temple Kashmir.

Adi-Shankaracharya according to Sringeri Sharda peetham

Jagadguru Sri Adi Shankara Bhagavatpada established the first of the four Amnaya Peethams at Sringeri more than twelve centuries ago to foster the sacred tradition of Sanatana Dharma.

Hallowed for all times by Sage Rishyashringa who stayed and performed Tapas here, Sringeri attracted the great Acharya with a remarkable sight.

Tradition has it that after the Acharya had dispersed all the non-Vedic creeds prevailing in the country, He was on the look-out for a convenient and holy place where he could establish an institution to spread the truths of Advaita Vedanta. When the Acharya came to Sringeri, he saw an unusual sight on the banks of the Tunga. A cobra was seen spreading out its hood over a frog in labour pains, to give it shadow from the scorching mid-day sun. Struck with the sanctity of the place, which could infuse love between natural adversaries, the Acharya chose this very location to establish His first Math.

The Madhaviya Shankara Digvijayam describes that the Acharya came across many virtuous people at Sringeri and taught them the doctrine of Advaita. He then invoked the Divinity of Knowledge, Goddess Sharada and consecrated an icon of the Goddess. Thus the Peetham He founded at Sringeri in South India for fostering the Vedas and the sacred tradition of Sanatana Dharma came to be known as the Dakshinamnaya Sri Sharada Peetham.

The Acharya appointed his prime disciple, Sri Sureshwaracharya as the first Acharya of the Peetham. Since then, the Peetham has been blessed with an unbroken Guru Parampara, a garland of spiritual masters and Jivanmuktas representing Sri Adi Shankaracharya. The succeeding Acharyas have led a life of such austere penance that it has led disciples to adore in them the radiance of Sri Adi Shankara Himself.

Sandalwood Idol of Sarda Mata at Sringeri

 

The ancient temple of Sri Sharada, the presiding deity of Sringeri has a glorious history that begins with the setting up of the Dakshinamnaya Peetham by Sri Shankara Bhagavatpada. Originally it was an unpretentious shrine with the Murti of Sharada made of sandalwood, installed over the Sri Chakra that Sri Adi Shankara carved on a rock. Subsequently Sri Bharati Krishna Tirtha and Sri Vidyaranya had a temple built in the Kerala style, with timber and tiled roof. Sri Bharati Krishna Tirtha substituted the sandalwood idol with the present golden idol.

However, it is not clear whether, the installed idol was the same Idol, that Adi Sankara had allegedly brought with him from Kashmir.

Geographical Availability of Sandalwood in Kashmir and Karnataka

The availability of Sandalwood is abundantly found in and around the district of Chikmaglur (Sringeri comes in this district) in Karnataka. While as, it is hardly found in and around Kashmir valley. But, before coming to any conclusion; it will be pertinent to discuss again, here, the Temple and Legend of Kapteshwar Temple of Kashmir Valley; where, a mysterious Sandalwood idol of Siva used to emerge from a pond.

The legend of Kapatesvara(From Rajatarangini)

The valley of the Arpath or Harsapatha, which opens to the east of Anantnag, is also known as Kuthar. The name is in all probability connected with that of the ancient Tirtha of KAPATESVARA, situated on the Southern side of the valley close to the village of Kother. The name of the latter is undoubtedly a derivative of Kapateshwara as the analogy of Jyether<Jyeshthesvara, Triphar<Tripuresvara, etc. clearly shows.

The place of pilgrimage is the sacred spring of PAPASUNDA(Sin removing), situated a short distance above Kother near Acchabal. In it Lord Shiva is believed to have shown himself in the disguise(Kapata) of pieces of wood floating on the water. The legend is related at length in the Nilmata, and the author of the Haracaritacintamani devotes to it a separate canto which has now become the Official Mahatmaya of the Tirtha.

According to Nilmata; Once many sages stood in great penance on the sacred bank of Drsadvati in Kurukshetra to have a sight of Rudra-the lord of the Gods. Impressed by their Devotion, Shiva told them in a Dream to go soon to Kasmira where there is a spacious and immaculate abode of the Naga. He told them that there he would be visible in Disguise. Having heard him in a dream they all reached the abode of the Naga. They could not see even a little water, for the water was all covered with pieces of wood. Moving the wooden logs with their hands, the best sages obtained Rudrahood with their bodies by merely taking bath.

However, one vasistha Brahman, named Graparasar neither took the bath nor touched the wooden logs. He went on prolonged fasting and made his body decay. Rudra then spoke to him in a dream and advised him to obtain Rudrahood quickly by taking bath and touching the wooden logs.  Gauraparasara persisted, ‘that you can be visible after the attainment of Rudrahood is a fact, ‘O father of the world! But my mind is not satisfied without the sight of the lord of the Gods. You have said that you would be visible in disguise in the abode( of the Naga).

The Brahman refuses to leave and continues fasting, Sankara replies:  I have already provided them, my manifestation in the form of the wooden log. Merely by seeing me, they attained Rudrahood, O twice-Born! Now, due to your penance which is greater, I give you the desired boon. Ask for what you desire and Obtain Rudrahood.

The Brahman demands that Mahesvara should manifest in the form of a wooden log, to all the human beings, as it did to the sages. Mahesvara agrees and remarks, ‘O best among the twice-born, all those people who will see(the god) standing in the form of wood, (will see the gods) not always but only occasionally. With a desire to do favor to them, my gana-the Nandi in the form of wooden log shall always be visible to the human beings. And having seen (him) they would attain Rudrahood with their bodies. As I shall appear before men, so I shall obtain the name, Kapatesvara.

Alberuni too had heard of the Kapateshvara tirtha and its legend. He writes ‘ a pond called Kudaishashr(Kapatesvar) to the left of the source of the vitasta, in the middle of the month of Vaisakha, Mahadeva appears annually.’

AB-L-FAZL, Ain-I Akb, ii, p.358, mentions “in the village of Kotihar, a deep spring surrounded by stone temples. When its water decreases, an image of Mahadeva in Sandalwood appears.”

The sacred spring rises in a large circular tank which is enclosed by an ancient stone-wall and steps leading into the water. According to Kalhana’s account this enclosure was constructed, about a century before his own time, at the expense of the well-known king Bhoja of Malava.The latter is said to have taken a vow always to wash his face in the water of the Papasundana spring.

Connection between Sarda temple and Kapteshwar temple

Though, the architecture of Sharda temple (POK) resembles to that of the Kashmiri architecture , which can still be found in the ruins of Naranaag or the the Sun temple of Martand, But for some reasons, Sir A.Stein thought that the ruins of Sarda resemble most to that of Kapateshwara temple.

Also, it is intriguing,   to note that the famous travelers and Historians of the past, like Alberuni and Ab-L-Fazl, both have written that there was the legend of the mysterious and venerated Idol of Sharda at the Temple (POK). Pertinently, both have mentioned that the wooden idol of Mahadeva would emerge from a pond at Kapatesvara, when its water receded.

This clearly indicates, that in Kashmir, there was use of Sandalwood for making Idols of Gods/Godesses; although it is not clear, how it came into existence for religious purposes and how it ended .But, as of today, The Redoubtable temples of Kashmirian architecture, be it Sarda, Martand, or Naranaag are at the brink of extinction and need immediate attention from the concerned authorities. The hoary legends, that once reverberated in the cradle of Kashmir valley, are reduced to dying  echoes .

However, some of the sacred Hymns like- ‘Kashmir Purvasini, Vidhya Dieyinam Shawetambuj Viharinam, Chaturbuj Dharini… Shattantriveena Vadini… Mokshadayini, Papanashneemam … Vitasta Rupenam … Himachidit Girishshobinam … Kalashamrit Dharayae. Translated this means;Residing in Kashmir from ancient times..giver of knowledge.. seated on a white bird {Swan}..having four arms, carries hundred stringed veena.. giver of moksha and forgiver of sins.. just like with grace of Vitasta {Jhelum River}.. gracing a snow clad mountain..carrying a pot with holy nectar-    will remain immortal. And with it, will live- ‘the legend of Sarda ‘ forever.

And so will the mystery…

 

( by:Sandeep Raj koul)

 

 

 

 

 

sharda1 sharda2

(Photo courtesy: Rukhsana Khan)

 

 

References:

the shrine of Sharda-note B-I 37-Kalhana’s Rajatarangini(M.A.Stein)

tirtha of Kapatesvara,p-467,Kalhana’s Rajtarangini-ii volme(M.A.Stein)

http://www.ikashmir.net/saints/shankracharyavisittokashmir.html

https://en.wikipedia.org/wiki/Sharada_Peeth

https://en.wikipedia.org/wiki/Sandalwood

http://www.sringeri.net/history

http://www.sringeri.net/history/sri-adi-shankaracharya/biography/abridged-madhaviya-shankara-digvijayam/part-5

http://panunkashmir.org/kashmirsentinel/maya1999/4.5.html

http://koausa.org/temples/sharda3.html

 

The Mystic Chakra of Sharika Mata (Tripuasundari) at Hari Parbhat

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“Hari Parbhat” also known as “Sharika peeth” is one of the most holiest sacred Place for the Hindus of Kashmir. Legend says that at this Place, Goddess Sharika killed the demon “Jalodbhava”. The Goddess in the form of “Haer”(Myna) at the behest of her devotees dropped a Pebble from above on Jalodbhava. The pebble became larger and larger. When it Hit the Demon, the pebble had grown to the size of a Hill.The Demon was crushed under the Hill. The Hill that dropped on the Demon came to be known as “Hari Parbaht”. The Mother Goddess resides there by the name of “Sharika” or “Tripursundari”. The eighteen-armed Goddess is considered as the presiding deity of the Srinagar city. She resides here in the form of syambu “Sri-Chakra”, also known as “Maha yantra”.This mystic Chakra is self-engraved on the Holy Shila( a vertical rock smeared in sindoor).Since the Divine Mother resides in the form of a “Chakra”, hence, she is also locally known as “Chakeshwari” and the place/temple as “Chakrieshwar”.

The significance of Sri-Chakra , is written on a Board in the premises of the temple. I am merely reproducing it verbatim.

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The sacred “Sri Chakra”, commonly known by the Hindus as “Sri Yantra” is composed of circles and the lotus petals, contains nine independent trikonas(Triangles), mystically drawn within the other. The four Triangles that point upwards represent “Shiva” and the other five pointing downwards represent “Shakti”.The Shiva Triangles are called “Sri Kanthas” or Shiva element, and the Shakti triangles are known as “Shiva-yuvatis” or Shakti element. All these are quite independent of the central Bindu and are formed by the Mulaprakrati of Shiva Bindu.
The intersecting triangles represent the play of creation, protection and absorption of the whole universe by the pure divine force known as “Sudha Shakti”.The central point in the Chakra is Bindu which symbolizes the union of “Shiva with Shakti” or “Kameshwar with Kameshwari”.
“Sri Yantra” is, in fact, the most magnificent composition of nine independent trikonas, charged with the supreme occult significance. The Trikonas in their upward and downward positions intersect one another and form themselves into forty three big and small triangles. All these triangles are enclosed in the first inner circle on which is drawn one Lotus with eight petals called “Ashta Dal”, which represents the mystical lotus of creation. The another circle following this with sixteen petalled lotus, drawn on it is called “Shada-shadal”. This Lotus is significant of sixteen kalas or phases of the moon. The whole set of triangles and the Lotus petals are further enclosed in triple concentric circles or three-fold girdles called “Trimekhla”, The whole diagram, forming the mystical chakra, fixed in a square, with triple parallel lines, having four openings or gates on its four cardinal points make up the Devi’s mansion. In the center of the whole composition lies the Bindu(point) which, in fact is the mysterious matrix of the Maha-Yantra. The description of this “Yantra” is given in sloka 11 of “Sundaryalahri”, reproduced just below the Yantra itself.
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The “Yantra” is adopted for the worship of the mighty “Shakti-Lalita Devi” and is considered to be the most popular symbol that the Icon or image of “Srividhya” i.e “Tripursundari” herself.
The mystery of “Sri Yantra” is quite remarkable. Its secret doctrine is largely acknowledged even by the renowned foreign authors and scholars. While acknowledging the mystical performance of these mysterious Yantras and Mandals, a foreign Scholar “Shree Guiseppe Tuccti” has stated In his book, “The theory and practice of Mandals” that the best example of Hinduist Mandal is the one called “Sri Chakra” or the wheel of “Sri” i.e the mystic wheel of “Shakti” or divine power, which is the motive force of the universe and by virtue of which God manifests and displays himself in things which are all of necessity the effect of Shakti itself. Since without “Shakti”, God can do nothing. One can well imagine and understand the might of this “Shakti”, which the God himself has acknowledged as stated in “Sundarya-Lahiri” that only conjoined with thee Oh! “Shakti” have I the power to be the absolute lord otherwise I would not be able to move. Such is the mighty “Shakti-Lalita-Devi”, the ruling Deity of this celebrated “Maha Yantra”.
The “Yantra” can be described in two ways.It may be started from any of the four gates of outer Chakra and worked inwards towards the central Bindu or in the reverse order, It may be started from the Bindu and worked outwards towards the gates. The former process is called “Layakrama”(involution) and the latter “Srashtikrama”(Evolution). Here it is described in the latter way.
Starting from the central point (Bindhu) and ending with the for gates the whole complex is divided into nine Chakras or wheels called Yantras which according to “Tantraja Tantra” are:-
1.Central Red Bindu, described as ……………………………………………………………………………………………Sarvanandmaya.
2. Central White Triangle, described as…………………………………………………………………………………….Sarvasidhipradha.
3.Eight red Triangles, described as ……………………………………………………………………………………………Sarvaroghara.
4.Ten Blue Triangles, described as…………………………………………………………………………………………….Sarvarakshakar.
5.Ten Red Triangles, described as……………………………………………………………………………………………..Sarvarthasadhak.
6.Fourteen blue triangles, described as ……………………………………………………………………………………Sarvasaubnagyadayak.
7.Eight Red Lotus petals, described as……………………………………………………………………………………….Sarvasamksobhan.
8.Sixteen blue lotus petals, described as …………………………………………………………………………………..Sarvaparipuraka.
9.Surrounding Yellow ground between the outer most circle and four gates……………………………Trilokyamohan.

Explaining the complex of these yantras the sacred, “Tripuramahimstrotam” says that the same “Mulavaidyaksars” as having contributed towards the unfolding of this “Sri Yantra” are responsible for the evolution of this universe as well, when it says that:-
(a) From the “Lakar”, which, according to “Laya-Krama” represents the first outer chakra i.e the yellow surrounded ground, This “Pararupa” earth on which we live has been born and on which there are Mountains, Forests, Grooves, fifty peetas(Seats), all places of pilgrimages, all Ganges, all “Khetrasthanas”, this chakra is known as “Trilokyamohan”, that is the Enchanter of the Universe.
(b) From “Sakar”, representing the second chakra of sixteen blue petalled lotus, it took the form of the Moon, Stars, Planets, Zodiac(Rashi Chakra).This Yantra is described as “Sarvasanksobhan”.
(c) In “Ikar”, which is represented by the fourteen blue triangles, It is “Turyamaya” or the creator of the universe. This yantra being fourth in the order is described as “Sarvasaulhagvadayak” i.e all auspicious.
(d) In “Ekar”, which obtains the fifth place in the order and it is represented by Ten Red Triangles the “Vishavi Shakti” manifests herself as one engaged in “Vaishvaplan” (preservation of the universe). This Yantra is described as “Sarvarthasadak” or fulfiller of all desires.
(e) In “Rakar”, which is represented by ten blue triangles and is the sixth yantra in the order, the all luminous and the most flaming aspect of the deity is revealed.This Yantra is described as “Sarvarakshakar”-That is all protecting deity.
(f) In “Kakar”, the shakti is radiated as “Kamda” or granter of all desires, “Kamrupni” or changer of form at will and “Avaya” or eternal. This Yantra, represented by eight red Triangles and occupying the seventh position in the order, is described as “Sarvaroghara” or curer of all diseases.
(g) The eighth Yantra which is represented by the crescent shaped central white triangles is known as “Vishvayoni” or the Womb of the Universe signifying the Karnam or the cause.Here Shakti is identified in “Shunyarpa” (Zero or void form) of the Bindhu Rupa Shiva. This Yantra is described as “ Sarvasidhiprada” or giver of all Siddhis.
(h) The ninth and the last Yantra, represented by the central Bindu, is described as “Sarvanandmaya” i.e all pervading and all blissful flaming Shiva or “Shivajyotimaya”.

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The wheel of the universe( Sansar Chakra) is thus equated with the “Mulavidya” and identified with the “Sri Chakra”.The letter established in Lakar,Sakar, Hakar, Ikar, Ekar, Rakar, and Kakar and associated with various Yantras described above, are its “Beejaksharas”(seeds) and the protecting deities, which are symbolic tattwas, are the Shivas themselves.
The central Bindu has three fold aspects. It is called “Bindu Triya”.The upper part of this focal point, represents the face of Devi and the two below it, her breasts. This is the symbolism of worship in which such anthropomorphic forms are employed by the worshippers who clearly see such images as they are carved or conceived in their minds during their worship. More abstractedly the three Bindus are compared to the Sun, Moon and the fire representing the names given to the aspects of “Para Bindu”.
While commenting upon the Yantra worship, Sir John Woodroff, (Arthur Avalon) another learned Scholar and noted Author says, “that the more experienced and correct view is that the mind is shakti, which is a particular manifestation of it. By continual and repeated practice in that Chakra after Chakra everything becomes divinized” and again hesitates that “Practice of the ritual transforms the mind itself and what is at first seen merely as an external Yantra with lines, curves and petals, becomes a pure mental state in the Sadhka himself. He too is a “Sri Yantra” and realizes himself as such.. The body of the Sadhaka is thus identified with “Sri Yantra” and its nine apertures (Naudwar) correspond to the nine chakras in the Yantra. The Human body, is as such considered like an Island of nine gems which are described to be:- Ajas, Sukra, Majja, Meda, Asti, Mamsa, Roma, Tvak and Rudhir. “The object of the worship of these chakras, as such is the realization of the one Abedabhavana of the Knower who is the one’s own self-(Swatma) or the worshipper, the knowledge and the object of the Knowledge i.e the “Sri Chakra” itself. In fact worship of sri yantra is the unification of these three-The knower of the Knowledge and the object of the knowledge.”
“This celebrated yantra”, says Sir John woodruff further, represents the human body, the whole universe and the man for what is in the former is in the latter and vice-versa as also the Shiva Shakti Swarupa or Atma. It is thus the symbol of Devi as she is in her own form (Swarupa) and as she is in the form of the universe (Vishwatma).

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According to the TANTRAJA TANTRA, there are 960 yantras which are assigned to ADYA, NITYA AND LALITA, the three Goddesses, who are known as “Tripurasundari”. Conjoined in one.
Different fruits are gained by worshipping different Yantras. Of the 960 Yantras the principal one’s are:- Sri yantra, Puja Kamal Chakra, Amritghat, Siddhavajra, Kesthavajra, Wajralinga, Merulinga, Yoni, Vajravajrak, Maha Vajra and Vajra.
Yantras are purely linear diagrams. They are drawn provisionally or permanently. When it is desired to be drawn permanently, It is inscribed on a stone or on copper or Bronze Plates that are often seen in Hindu temples, Shrines and other places of worship. Righteously, the Yantra deserves a place in every Hindu Home if one desires to be happy, prosperous and free from ailments.

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The legend of Ksheer Bhawani-Tulumulla

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Ksheer Bhawani temple situated at Tullamulla,in the Ganderbal District, is an important shrine.The temple is associated with the Hindu Goddess ,Ragyna Devi.An Annual festival is held here on Jest-Ashtami(May-Jun) when Hindus visit this place in large numbers.Pilgrims also throng on every Shukla-Paksh Ashtami(eight day of waxing moon) round the year and perform havans to please the Mother.
The historic temple of Ksheer Bhawani was built by Maharaja Pratap Singh in 1912 and later renovated by Maharaja Hari singh. Surrounded by streams, the place abounds in Chinar Trees in-and-around the compound complex, within which is a Hexagonal spring, wherein the Diety of Goddess Ragyna is decorated and housed in a small White marble temple.
The legend goes that Ravana worshiped Mother Ragyna, who showered her blessings on his Kingdom. The goddess thus resided in Srilanka. Later on due to Ravanas misdeeds, the Goddess cursed him and ordered Hanumanji to take her to “Satisar”(Kashmir).A place cut off from the outside world by snow-clad Mountains.The Mother on her vehicle along with 360 Nagas, was installed at Tulumullah. Exclusively preferring Milk, sugar and all vegetarian form of offering,The Mother is worshiped by the name of “Maha Ragyna”.

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The abode of the Mata Maha Ragyna is mystic spring.This mystic is only one, and one in four of the world, where numerous Nagraj and their Ashtakul-Nag Devas reside. Sh.Ganapati, Bhimraj and Kumar reside at the door of Amrit-Kund.In the middle of Amrit-Kund, towards East resides Astanag Devas namely Vasukinag, Neel Nagraj, Takshak Nagraj,Padbnagraj, Maha Padam Nagraj etc. In the center of the Amritkund, Anant Nagraj resides which is surrounded by one thousand crore Nagas having two thousand eyes and two thousand tongues.Mata Maha Ragyna is seated on this Anant Nagraj on the one thousand petalled Rose.The temple in Amrit Kund is a divine invitation to all the devotees to see how Para-Prakrati Functions.It is vivid(intriguing) that the colour of the spring changes, serving as an oblique Omen, about what is going to happen in near future.The pink, Milky, light Green colour of the spring suggests the Auspicious Omen, and the Black, dark Red indicates the wrong and inauspicious Signals.
Tulmulla Nag, where the Mata Maha Ragyna resides, in the form of Jal-Rupi(water-form), having the form of water or Serpent has allegorical meanings.The surrounding water of Island is the Ocean of infinite life energy full of dormant potentialities Which spread unfold, expand and transport into tangible reality,The Goddess under the Canopy is the precious stone that grants all desire.
As late as 1844, People used to cross the marshes by walking over Reeds growing in the Sump.The legend has it, that the curiosity about the spring spread further, when the learned Brahmin, Sh. Govindjoo Gadoo had a vision of the Goddess, who manifested herself as a serpent.The devotee Brahmin carried a vessel of Milk, arranged a Boat, rowed through the marshes of Tulumulla and upon reaching the sacred spot to which the Serpent/Spring Goddess had led him, slowly poured out the Milk.

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Supreme Mother Ragyna is variably  “Maha Ragyna”. The word “Ragyna” means the divinity of establishing, preservation and protection of manifested world. She is the most adorable Mother, who brings forth the entire Universe. She keeps the cycle of life in the process through different tires of consciousness, known as “citta-agni-kunda-sambhuta”, which refers to the consciousness aspect. She accepts no trace of ignorance. She is the vaishnavi sprit, always in the tune with her consort adored as “thousand faced-Bhuteshwara”.
As we know the Vedas, tantras and Sutras are the rare source of knowledge of the supreme reality, which on the practical realization give true solace and eternal joy.Among the paths, suggested by the sutras for realization of the truth, sufficient importance has been laid on the path of Devotion.The sincere, clear and true devotion lies in the sense of Motherhood, which is an undeniable fact.Supreme power therefore is approached and worshiped  as mother.The mother is thus the supreme reality, supreme love,supreme beauty. Realization of this truth supreme sublime and divine as Mother is the final beautitute  of life.
Ksheer Bhawani is eulogised as the Goddess of learning and Knowledge on the mundane level and Goddess of wisdom and enlightment on the spritual level.She values education and grants blessing for various examinations to all her Devotees.It is said that all the leading saints have undergone penance “Sadhna”, in the Ksheer Bhawani complex, and got the spiritual  Bliss at this Place.

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Gangabal Yatra-from Rajtarangini and Other History books

Harmukh Ganga Yatra The turquoise lake of Gangabal, also known as Harmukh-Ganga is situated at the height of around 13500 feet above sea-level. Since centuries, This pious lake has been revered by the Kashmiri Pandits(KP ).The pundits of the Kashmir used to climb-up to the mountain and immerse the ashes of the dead in the lake of Gangabal, and do the obligatory-“Shraddh”-of their ancestors. This lake is as pious as the Ganga at Haridwar.

The length of the lake is approximately  3 kms and breadth is around 1 Km.   Gangabal finds mention in “Nilmat puran” as well as “Rajatarangini”. Authors like walter Lawrence and Sir Francis Younghusband too have mentioned about holy lake Gangabal and its association with the “Shraddh”.Sir Francis  has even mentioned that the date of the annual pilgrimage used to be the 8th day of waxing moon in the month of Bhadra. The Day was also known among the Kashmirian hindus as “Ganga-Ashtami”.

  Gangabal lake is situated at the base of the mighty Harmukh mountain. The perennial glaciers of the Harmukh are the main source of water to the Harmukh-Ganga as well as Nandkol Lake-which is some feet below the Gangabal.A rivlet joins the Gangabal to Nndkol. Rising close to 17000 feet above MSL, The Harmukh peaks dominate the view towards the north from a great part of the Kashmir valley.

  According to Rajtarangini of Kalhan, the Harmugh-Ganga was considered among the holiest “Tirthas” of the Kashmirian. The ancient name of the peaks is “HARAMUKUTA” meaning “shiva’s diadem”.Their height is supposed to be Siva’s favorite residence. Hence Kashmirian tradition stoutly maintains that Human feet cannot reach the peaks summit. The gangabal lake at 13000 feet is looked upon as the true source of the “Kashmir Ganga” or “Sind river” or “sindu”. The old name of “Nundkol” was “KALODAKA” or “Nandisaras”, and was derived from the legend, that makes the lake the joint habitation of both “Kala”, i.e Shiva and his faithful attendant-Nandi. From the latter, the whole collection of sacred sites takes the name “NANDIKHETRA” by which “Kalhana” usually designated it.  

It will be pertinent to mention here that the word-“Hindu” is the corrupted form of the river “Sindu”. The people who used to live on the banks of this river were termed by the foreigners as Hindus. Hence all the Hindus across the world owe their identity as a religious-sect- Hindu to the Harmukh mountain and the sacred lake of Gangabal-the true source of Sindu river.

  Rajtarangini mentions, this holy lake was the final goal of the “Haramukutganga” pilgrimage, which used to take place annually in the month of “Bhadrapada”, and used to be attended by thousands of pilgrims. The bones of those, who had died, during the year, used to be deposited/immersed in the sacred waters of this lake.

  It is also mentioned in some articles, that ,In earlier times, KP’s used to come here and do the Obligatory “Shraddh”(prayers offered to ancestors) and immerse the ashes of those who had died. Before, immersing the ashes into the lake, they used to stock the water for drinking and cooking, as immediately after immersing the ashes, the colour of the waters would change to Red, (because of some micro-organisms), thus making the waters unfit to drink or cook food in.

    It was probably, during the reign of Mir Shamas-ud-din iraqi, when, in 1519 AD,10,000 KP’s were killed during pilgrimage to Harmukh Ganga as they had gone there to immerse the ashes of 800 Kashmiri Pandits, who were massacred during Ashura, a year ago. This yatra as well as all other yatras were banned during the Afgan-rule. And many yatras were rediscovered by the Kashmiri Hindus many decades or centuries later. The Famous Amarnath yatra is one such example.  

  The starting point of this yatra is Naranaag. It lies in the tehsil Kangan, District Ganderbal. There is a cluster of shiva-temple-ruins at Naranaag. These temples were built by the King Lalityaditya Mukhtapida(724-760 CE). Naranaag is a beautiful valley and is surrounded by the thick forests of Deodar.

  Harmukh-Ganga pilgrimage was lost somewhere in the pages of History, until, APMCC/HGGT took the initiative in 2009 and re-organized the pilgrimage of Harmukh-yatra after a gap of more than 150 years. Though, a small group of KP’s sometimes used to undertake this journey before 1990.     APMCC/HGGT charges only a nominal fee of Rs 100 towards the registration., Once the registered pilgrim reaches the Zeethyar-shrine in Srinagar, he/she becomes the responsibility of the organizers. The organizers of this yatra takes care of the Boarding, Lodging, food as well as the pooja for the “Shraddh” at Gangabal Lake.  

The cost per pilgrim comes to around Rs 4500.APMCC/HGGT raises the funds amongst themselves and thus gives a discounted rate of Rs 100/pilgrim. APMCC/HGGT, since many years, have also taken the initiative to renovate the desecrated and dilapidated temples across Kashmir Valley.

This year too APMCC/HGGT is organizing the 7th Annual Gangbal Yatra.This year the “Ganga-Ashtami” falls on 21st September 2015.The yatra will commence on 20th sep.Last year a group of 95 pilgrims visited the Holy Lake.This year the number of registrations has been increased to 130.  

  There is so much associated with Harmukh Mountain and Gangabal lake.Visiting the holy lake is like reliving the History of Kashmiri Pandits.Last year, I visited this lake, and this year too, I am eagerly waiting…   .

Propaganda against Re-settlement of KP’s

Since last 25 years, it has been projected by almost all political parties, whether J&k-based or National level, like INC and BJP, that they want to re-settle KP’s back in the land of their ancestors .But never ever, has any political party acted as audaciously, as did the Modi-led NDA govt .The Home Minister of India Sh. Rajnath singh had asked Omar Abdullah in the first week of Sep 2014 to identify the land for the re-settlement of Kashmiri Pandits in Kashmir. But the unfortunate floods procrastinated the Plans of GOI.

Now again, just a couple of days back, The home minister of India-Mr. Rajnath singh asked the Chief Minister-Mufti mohammed syed to identify the land for the “composite re-settlement of Kashmiri Pandits”. And it looked as if the C.M nodded his head in agreement. But as expected, he U-turned on the issue of giving land for the settlement of KP’s thus showing his true colour of being a true Islamic-sikluar.

And thus started the Grand- Drama of the Pak-backed-separatists.

Yasin Malik-the leader of the JKLF faction objected to the GOI’s plan of re-settling the KP’s into the valley. He and his coterie are of this view that KP’s should be settled in their original homes with their original Muslim Neighbors. They want KP’s to live as they lived prior to 1989-90.

But, Is it possible for pundits to settle at those places,that they left out of fear in 1990!

An real life anecdote when I visited Kashmir after 24 shows totally different picture of the locality and the people that lived with us pre-1990.

I went to Rainawari, in Srinagar, Kashmir last year .I landed in Kashmir valley on 31st Aug 2014. Immediately, I opted to go to my abandoned-Home in Rainawari. The place looked so different. “Kraylar” looked so different. The lanes and sub-lanes looked Chocked because of illegal encroachment.

When, I reached Bagh jogilankar, I was surprised to find out that even the police-station, that was once situated at the entrance of the Bridge has been shifted to “Silai-center”, opposite Hari singh school.

I tried very hard to identify my old acquaintances. Though I could identify the shops, but the shopkeepers were different. I tried to look into the eyes of the shopkeepers hoping to revive something of the past. But I got blank looks from them. The strange looks made me uncomfortable and unwanted. The appalling condition of the by-lanes was beyond words. The people of the locality have illegally captured the already-narrow-bylanes.

At last, I could identify someone. It was “Magga”. He was the barber. He had trimmed my hair N times , right from the time when I was a Kid, till I grew up to an adolescent. I accosted him and introduced myself. He too looked blankly at me. He could not identify me, as he had seen me when I was a Kid. I told him about my family, my father, Grandfather, My Uncles. With each name, his eyes sparkled in joy. And then he gave me a tight Hug. A few men gathered around us. They started asking me questions about the welfare of my family, my relatives and my Hindu-neighbors. I tried to answer them to the best of my information.

I chatted with them for about 10 minutes. Then I told them that for strange reasons, all the people in Rainawari look different to me. I told them that they looked strangers to me. They listened to me patiently. An acquaintance of “Magga-Barber”, informed me that only 40 indigenous Households/ families are living in that area and rest of the families have shifted to other places in Kashmir. As, I was departing, I could hear his shout, “Even we-the leftover families sometimes feels living among aliens. KP’s did the right thing by migrating to other places.”

The same story has been repeated in many of the localities that were once dominated by the pundits. The original Muslim residents have shifted to other places. Most of the Muslims from the downtown have shifted to posh localities like Rajbagh, Barzullah, etc.

The trite rant of the separatists like Yasin Malik and Syed ali shah Geelani, on the return of Kashmiri Pandits does not hold any water. They too are aware of the fact that during last 25 years, many KM’s have shifted to the posh localities and many amongst them have bought the houses of KP’s- who had to sell their properties in distress.

If they want to re-settle KP’s into their original localities, they will have to re-settle back all the Muslims too- who were the neighbors of KP’s. But that is not possible and that will not be of any help to KP’s .As a matter of fact, The Muslim neighbors of KP’s were totally helpless in protecting their Hindu neighbors in 1990’s. Instead of protecting them, many KM neighbors corroborated with the terrorists and gave vital information about those KP’s, who were on the hit list of Terrorists, thus resulting in Death of many KP’s.

Over the years the mainstream political parties have practiced soft-secessionism. They have over the years poisoned the minds of the majority-Muslims. Separatists as well as the valley-based mainstream political parties have tacitly projected the forced-exodus of KP’s as their victory. Victory of Islam and Hegemony of Muslims. They might be saying hundreds of lies to the Government of India, but the reality is that they are constantly conveying to their vote-bank that KP’s will never be allowed to come back.

The resistance shown by Yasin Malik against the proposed “composite-resettlement” has been portrayed as “inclusive-townships” for KP’s. It has been alleged that GOI is planning to make colonies like Israel did in Palestine. The resistance towards the return of KP’s have been portrayed akin to the resistance of Palestine’s towards the Israel-settlements.

And top of that, the mainstream political parties too have shown the same resistance as did Yasin Malik and company. It is an astutely-planned-propaganda against the return of Kashmiri Pandits. All the valley based-political-parties have excluded deliberately the word “Composite” and are instead using the word “Inclusive”.

The deliberate blatant trampling of the fundamental right of KP’s will once again go unnoticed. Once again the possible return of KP’s will be thwarted. Once again the false propaganda of the Anti-Nationals will echo in the valley. Once again justice will be denied to the KP’s.

And once again,
the goddess of Justice will remain Blindfolded…

Protest by Kashmiri Pandits(19/01/2015)-Holocaust day

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The Modi-fans…..

Prakash-The chaiwala from jhunjhunu-delivers tea at my office at sharp 10.30 a.m and 3.30 p.m. All the offices in our compound prefer to drink the tea made by Praksh. He is an ardent “Modi”-fan. Since last 2 months or so, he has been ostentatiously wearing a T-shirst, that has a photo of “Modi” and it reads “Ab ki Bar, Modi Sarkaar”. He has even changed the name of his shop to “Namo Tea stall”. Some days back I asked him, “doesn’t your open support to Modi, offend some of your customers, who support some other political parties?” His replied back zealously, “Hum to aise hi hain, jisko peena hoga wo peeyaga, jisko mera Modi-samarthak hona aacha nahi lagta, wo kahi aur piye.Deena wala to Bagwaan hai.(I am like this, if somebody is offended by my Modi-love, let him drink somewhere else. It is the God who is the universal giver.)”

Vikas-my friend from Varanasi told me over phone that Ajay rai-the congress candidate and Arvind Kejriwal-The AAP convener are actually fighting for the 2nd and 3rd position. He also emphasized that “Modi” will win by at least a margin of 2lakh votes. ”The crowds are absolutely loving Modiji, we(locals) have taken the Modi-elections very personally. The Benarasis are identifying themselves with Modiji. Modi’s win will be Varanasi’s win. It will be our win” said he in a confident tone.

His statement can be ascertained by the fact that colossal crowds, unheard before , followed “Modiji” everywhere in Varanasi. His opponents are left wonder-struck and they are gaping in surprise since “Modiji’s” first road-show on 24th April 14.His opponents have lost the elections mentally whilst the voting will be held after a few days on 12 May 14.

“The support given to Arvind Kejriwal by JD(U) and its ally CPI has once again exposed the communist support towards their co-ideologue AAP. The metamorphosis of Arvind Kejriwal from a known atheist to a Theist was just a tactics to garner Hindu-votes” said my friend vikas irritatingly. He further said, ”On Modi’s Yesterday(8/05/14) Road show, Kejriwal tweeted that , “No one needs any permission from the EC to perform rituals. Permission is required only for political activities. It seems Modi was aiming for electoral gains through aarti,”-what a joke!!! These words sound so funny, considering that Kejriwal is the official “Dramabaaz” of Indian politics. It is a well known fact that in the past, he even managed “self-attacks” and “self-slaps”, just to get Public sympathy.  said infuriated vikas.

I do call up my friends and acquaintances, in Varanasi since the day I heard that Modiji is contesting from Varanasi. The mood there is ebullientally “Modi-fied”. It seems that he will get more votes in Varanasi than in Vadodra. In vadodra the main opposition is congress and the main contestant fighting against Modi there is/was “Madhusudan Mistry”. However the results in both Varanasi and Vadodra will go in favour of Modi-for sure, irrespective of the fact that congress tried every trick in their sleeve to halt the Modi-juggernaut .

In Varanasi,The support given by the known inveterate criminal-Mukhtar Ansari-to Congress candidate is perfidious. It is more than foible on the part of congress to actually accept the support. This treacherous liaising speaks volumes about the decadent politics, congress has indulged into, just to stop “Modi. But the wishes of billions of Indians will make it sure that “Modiji” wins against all odds.

Prakash-our chaiwala-has announced that on 16th May, he will be offering free tea to everyone, as he is sure, like most of us that BJP will achieve an over-whelming victory over its rivals. In our office-compound, everyone has voted for “Modi”. So confident are my colleagues of “Modi’s” win, that they have already stocked crackers worth ten thousand rupees for the celebrations to be held on 16th may 2014. “This time we will celebrate Diwali on 16 may , that too in a broad daylight. we will express our joy with bursting crackers, and exchanging sweets.” said Sachin, my friend , who has a office in the same compound.

Though 16 may is a working day, but I am sure that most of the Indians will be glued to T.V. Everyone is anxiously waiting for that red letter day when the aspirations of billion Indias will come true. The day when “Narendra bhai Modi” will be officially declared, the prime minister of India. I have my fingers crossed….