The Legend of Sarda, Shankaracharya and mysterious Sandalwood idol…

 

I had heard of the Mysterious  Sharda Temple at Village Sardi(P.O.K) many a times in the past. The word ‘Sarda’ itself is as mystical as is the Goddess Sarda. Kashmir in the past was a synonym to the Goddess. The ancient script of ‘Sarda’ that was once the vernacular of the Kashmiris ; or was widely spoken and written by the learned Scholars of Kashmir, clearly indicates that ‘ Sarda’ had a very deep impact on the lives of the Kashmiris and thus Kashmir.

‘Namaste Sarada Devi, Kashmira Mandala Vasini (Salutations to Goddess Sarada who resides in Kashmir’. This hymn unambiguously states that the Mystical Goddess was widely believed to live in Kashmir.

The Sarda temple was  just like any other venerated temple of KP’s for me and did not arose special attention, until I read the account of the pilgrimage of King Zain-ul-Abidin(AD 1420-70) to Sharda  possibly in the year 1422 A.D. I found the mention of the pilgrimage in Rajatarangini of Kalhan by  M.A.Stein, ” in the Chapter “The Shrine of Sharda”.

It was rather interesting to note that Sarda temple at one stage in the long History of Kashmir attracted many devotees and Scholars. The area where the temple is situated, was not under the sovereignty of the Rulers of Kashmir in continuity, and intermittently, the area of Sardi was out of bound  for rather long stretches of time. This political constraint dissuaded the Kashmiri Hindus to visit this place as frequently as they used to,  when it was a part of the Kingdom of Kashmir. The rough terrain  and the inclement weather too ensured that the Temple maintained its Aura of mystery , solitude and Spirituality.

For some reasons, I was intrigued to know that  there was a wooden(sandalwood) image of Goddess Sarda at Shardapeeth(Kashmir) and that the original idol was taken away by the Shankarachraya.It crossed my mind that If the original idol was taken away by Shankaracharya,; was the wooden idol of Sarda at the time of Zain-ul-Abidin, a different one then!

Traditionally, and may be historically, if we look into the past, we can easily conclude that the KP’s worshipped the God/Goddess mostly in their natural state/form. For example, KP’s worship Goddess Sharika as a ‘Srichakra’, believed to be inscribed naturally on a Boulder, smeared in vermilion. Again at Raithan temple, Goddess Ragya is venerated in the form of a natural Boulder. A Stone slab is revered as Goddess Bala Devi in Balhoma. Mata Jwalaji in the form of  an uninterrupted, continuous flame is worshipped at Khrew. There is also a stone slab, that too is venerated by the devotees. At other places, the object of worship is either a natural spring or a lake. The exception is for the Stone Shiva-Linga, which is widely worshipped throughout the state.

But a Wooden Idol, and that too of Sandalwood ! seemed incongruous. Before coming to any conclusion, some historical facts documented in the form of Books of History and legends can not be ignored.

The legend of Sharda

According to Mahatmaya, The sage Sandilya, son of sage Matanga, was practicing great austerities, in order to obtain the sight of the Goddess Sarda, who is a shakti embodying three separate manifestations. Divine advice prompts him to proceed to the place-Syamala. There at GHOSA, i.e ‘Gus’, appears to him ‘Mahadevi’, and promises to show herself in her true form( Shakti) in the Sarda’ forest. The Goddess vanishes from his sight at Hayasirsasasrama, (Hayhom), situated about 4 miles to the N.N.E of Gus.

The Sage next proceeds to the Krisnganga, a spring now usually known as Krishnganga, in which he bathes. Thereupon,  half his body becomes golden, emblematic of his approach to complete liberation from darkness. The Naga is situated above the village of Drang also known as Son-Drang. It is this appellation which the Mahatmaya wishes to reproduce by calling the place of Sage’s miraculous transformation ‘Suvarnardhangaka’.

From thence, Sandilya ascends the mountain range to the north, on which he sees a dance of Goddesses in a forest called Rangavati (Rangvor), immediately below the pass by which the route leading from Drang towards the Kisanganga crosses the watershed. He then passes the Gostambhana forest, i.e, the Marg Gthamman and arrives at TEJAVANA, the residence of Gautama, on the bank of the Krisnganga. The Mahatmaya describes at some length, the sacred character of the latter place which is identical with Tehjan(Thagain), a small hamlet on the left bank of the Kisanganga. It then relates how the sage after crossing on the way a hill, on the east side of which he sees the God Ganesha, arrives in the Sardavana i.e, at the present Sardi. After a Hymn in praise of Sarda in her triple form of Sarda, Narada(sarswati) and vagdevi, an account is given how the goddess at that sacred spot revealed herself to the Sage and rewarded his long austerities by inviting him to her residence on Srisaila.

Pitrs also approach there to Sandilya and ask him to perform their Sraddhas. On his taking water from the Mahasindu for the purpose of the Tarpana rite, half of its water turns into honey and forms the stream hence known as Madhumati. Ever since baths and Shraddhas at the Samgama of the Sindhu and Madhumati assure to the pious complete remission of sins, etc.

The mention of this confluence leaves no doubt as to where the Mahatmaya places the site sacred to Sarada. By SINDHU can be meant only the Kisanganga which, as in Kalhana’s days, is still locally known merely as ‘Sind’ , the river. Madhumati  is the name which local tradition gives to this day to the stream that joins the Kisanganga at Sardi from the south.

The temple is believed to be one of the Shakti-peethas(out of 51).It is believed that the right hand of Shiva’s consort-SATI-had fallen here.

 

 

The Mystical wooden(Sandalwood) idol of Sharda

A.Stein has mentioned that the Sharda temple is found in “Jonararaja’ Chronicle. The passage containing it belongs to those additions of the text with which Professor Peterson edition(1896) had first acquainted them. It is mentioned that the tolerant King Zain-l-Abidin(Bada Shah), whose attitude towards his Brahman Subjects was well Known, is believed to have accompanied the regular pilgrimage, apparently in the year 1422 A.D, in order to witness the miraculous manifestations of the Goddess. From the description in the  verse 1057, it seems that these were ordinarily the appearance of Sweat on the face of the image of the Goddess, the shaking of the arm, and a sensation of the Heat on touching the feet.

After bathing and drinking at the Madhumati Stream, the King seated himself at the Sacred spot which was thronged by pilgrims and Temple priests. Owing to the baseness, he witnessed in these people, the King is said to have displayed anger and to have lost faith in the goddess. Having failed to see her manifest herself in a visible and material way, which Jonaraja plausibly explains by a reference to the Kaliyuga and the want of faith in the worshippers, he then endeavored to obtain her sight in a Dream. For this purpose,   the King went to sleep on the night of the 7^th day of waxing moon in the month of Bhadrapada in the court of the temple. Sarada, however refused to vouchsafe any sign of her presence to the King in his sleep either. From due regard for the prince’s high personal qualities, the author is forced to ascribe this disappointment to the Wickedness of his servants and the conflux of Mlecchas. Having thus disappointed, the virtuous Zain-ul-abidin, the goddess is said to have, herself, crushed her image to pieces.

It is mentioned unambiguously,  that the idol self-destructed itself. However much later, Alberuni , too has written that a miracle-working image of Sarada, was yet in existence in the early part of the fifteen century, and that its destruction, rightly or wrongly, was connected with a pilgrimage which Zain-ul-abidin made to this site.

In the Sixteenth century, the temple of Sarda must have enjoyed yet considerable reputation in Kashmir itself. This is proved by “ABU-L-FAZL’s” notice of the site(Ain-Akb.,ii.p 365): “At two days distance from Hachamun is the river named padmati(Madhumati), which flows from the Dard(Dard) country. Gold is also found in this river. On its Banks, is a stone-temple called “Sarda”, dedicated to Durga and regarded with great veneration. On every eight tithi of the bright half of the month, it begins to shake and produce the most extraordinary effect.”

Here Haehamn stands plainly for Hayhom: Padmati is an evident clerical error for Madmati, i.e, Madhumati. From the statement which makes this River come from the Dard country, it appears that there is here some confusion between the Madhumati and the Kisanganga, which latter alone can be described as flowing from that region. It must, however, be noticed that a not very clear passage of the Sardamahatmaya,120, seems to ascribe to the Kisanganga also the second name Madhumati.

The notice of Gold being found in the river clearly applies to the Kisanganga, which drains a Mountain region known as auriferous to the present Day. The story told of the Sarada temple Shaking on the eight sudi of each month, is evidently a lingering reflex of the miracle ascribed to Sarda’s image in Jonaraja’s account.

The date indicated is that still observed for pilgrim’s visits to the Shrine, but when A.Stien visited the site in Sep 1892, The legend of the Shaking of limbs or sweat from the forehead of the idol of Sarda was unheard of. In fact, there was no idol of Sarada at all. Instead, a large rough slab on the ground which measures about 6 by 7 feet, with a thickness of about half a foot is worshipped as Goddess Sharda.This stone is believed to cover a KUNDA(spring-cavity), in which Sarada appeared to Sage Sandilya, and is the object of the Pilgrims’ special veneration. At the time of “Stein’s” visit to the temple, a red cloth canopy with plenty of tinsel surmounted the sacred spot. Conches, bells, and other implements of worship filled the remainder of the interior space.

Adi Shankaracharya’s visit to Sarda temple and Kashmir

Most of the Scholars believe that Adi Shankaracharya (A.D-788-820) visited Kashmir in the first quarter of ninth century A.D.

Adi Shankaracharya, a great philosopher is believed to have visited Kashmir in the first quarter of 9th Century (788-820 A.D) .According to writer of ‘Sankara Digvijaya’ — ‘Sankara visited Kashmir after giving a final blow to Buddhism in the rest of India”. PN Magzine,  a research scholar of repute, writes in ‘Shankaracharya Temple and Hill’ that Shankaracharya visited Kashmir with the intention of advancing Vedantic knowledge. That time Kashmiris were culturally and spiritually much advanced and believed strongly in the greatness of both Shiva and Shakti. Shankara did not, at that time, when he visited Kashmir, believe in Shakti cult . PN Magzine mentions that Shankaracharya with his party camped outside the city of Srinagar, without any boarding and lodging arrangements. Seeing the plight of visitors a virgin was sent to meet Shankara. She found the party uneasy and frustrated because of not being able to cook as no fire was made available to them. The first glimpse of Shakti was exhibited to Shankara by this girl, when Shankara expressed his inability to make a fire, in reply to girl’s question that you are so great, can not you make fire. The girl picked up two thin wooden sticks (samidhas) into her hand, recited some mantras and rubbed the sticks and fire was produced to the surprise of Shankara. PN Magzine further adds that later a Shastrarth (religious discourse) was arranged between Shankara and a Kashmiri woman. This discourse continued for 17 days. Shankaracharya yielded before the lady in discussion and accepted the predominance of Shakti cult (greatness of Devi).

According to PN Magzine, after accepting predominance of Shakti cult, Shankara wrote Saundarya Lahari, in praise of Shakti, at the top of the hill, known till then as Gopadari Hill. Pandit Gopi Krishan writer that Panchastavi–gamut of Shakti Shastra–a priceless gem — a peerless hymn of praise addressed to Kundalini. The work has been cited as source book by several eminent scholars, but the name of the author has remained undisclosed”. According to him the only other work in whole gamut of Shakti Shastra in the country, comparable to Panchastavi is Saundarya Lahari. PN Magzine says that Saundarya Lahari is acclaimed as master-piece in Sanskrit literature. After the visit of Adi Shankaracharya to Kashmir, he became staunch believer of Shakti-Shri Chakra – the symbol of Devi (Goddess) as mentioned in ‘Shankara Digvijay’ – Life history of Shankaracharya. Thus we know that even, a very knowledge philosopher, a Saint of greater order- Adi Shankaracharya – gained further depth in spiritualism and mysticism in Kashmir.Kashmiri Pandit – great ‘Mehman Nawaz’ – highly appreciative of knowledge (which has at time proved undoing for them), awarded a degree of the Sharda Peetha, the highest honour conferred on any dignitary of knowledge when Shankaracharya visited Sharda, a famous temple, Shrine of Goddess Saraswati and a famous university of learning.

 

It is believed that was  Adi shankaracharya entered the Sarda temple from its Sothern gate and had a debate with the Scholars of that Area/Temple. He emerged as a winner and was conferred to sit on Sarvanjnanapeetham or Sarvajna peetha(Throne of Wisdom).In his Honor, the southern gate of Sarda temple was closed for ever. The Śāradā image at  Shringeri Shardamba temple was once said to have been made of sandalwood, which is supposed to have been taken by the Shankaracharya from Sarda temple Kashmir.

Adi-Shankaracharya according to Sringeri Sharda peetham

Jagadguru Sri Adi Shankara Bhagavatpada established the first of the four Amnaya Peethams at Sringeri more than twelve centuries ago to foster the sacred tradition of Sanatana Dharma.

Hallowed for all times by Sage Rishyashringa who stayed and performed Tapas here, Sringeri attracted the great Acharya with a remarkable sight.

Tradition has it that after the Acharya had dispersed all the non-Vedic creeds prevailing in the country, He was on the look-out for a convenient and holy place where he could establish an institution to spread the truths of Advaita Vedanta. When the Acharya came to Sringeri, he saw an unusual sight on the banks of the Tunga. A cobra was seen spreading out its hood over a frog in labour pains, to give it shadow from the scorching mid-day sun. Struck with the sanctity of the place, which could infuse love between natural adversaries, the Acharya chose this very location to establish His first Math.

The Madhaviya Shankara Digvijayam describes that the Acharya came across many virtuous people at Sringeri and taught them the doctrine of Advaita. He then invoked the Divinity of Knowledge, Goddess Sharada and consecrated an icon of the Goddess. Thus the Peetham He founded at Sringeri in South India for fostering the Vedas and the sacred tradition of Sanatana Dharma came to be known as the Dakshinamnaya Sri Sharada Peetham.

The Acharya appointed his prime disciple, Sri Sureshwaracharya as the first Acharya of the Peetham. Since then, the Peetham has been blessed with an unbroken Guru Parampara, a garland of spiritual masters and Jivanmuktas representing Sri Adi Shankaracharya. The succeeding Acharyas have led a life of such austere penance that it has led disciples to adore in them the radiance of Sri Adi Shankara Himself.

Sandalwood Idol of Sarda Mata at Sringeri

 

The ancient temple of Sri Sharada, the presiding deity of Sringeri has a glorious history that begins with the setting up of the Dakshinamnaya Peetham by Sri Shankara Bhagavatpada. Originally it was an unpretentious shrine with the Murti of Sharada made of sandalwood, installed over the Sri Chakra that Sri Adi Shankara carved on a rock. Subsequently Sri Bharati Krishna Tirtha and Sri Vidyaranya had a temple built in the Kerala style, with timber and tiled roof. Sri Bharati Krishna Tirtha substituted the sandalwood idol with the present golden idol.

However, it is not clear whether, the installed idol was the same Idol, that Adi Sankara had allegedly brought with him from Kashmir.

Geographical Availability of Sandalwood in Kashmir and Karnataka

The availability of Sandalwood is abundantly found in and around the district of Chikmaglur (Sringeri comes in this district) in Karnataka. While as, it is hardly found in and around Kashmir valley. But, before coming to any conclusion; it will be pertinent to discuss again, here, the Temple and Legend of Kapteshwar Temple of Kashmir Valley; where, a mysterious Sandalwood idol of Siva used to emerge from a pond.

The legend of Kapatesvara(From Rajatarangini)

The valley of the Arpath or Harsapatha, which opens to the east of Anantnag, is also known as Kuthar. The name is in all probability connected with that of the ancient Tirtha of KAPATESVARA, situated on the Southern side of the valley close to the village of Kother. The name of the latter is undoubtedly a derivative of Kapateshwara as the analogy of Jyether<Jyeshthesvara, Triphar<Tripuresvara, etc. clearly shows.

The place of pilgrimage is the sacred spring of PAPASUNDA(Sin removing), situated a short distance above Kother near Acchabal. In it Lord Shiva is believed to have shown himself in the disguise(Kapata) of pieces of wood floating on the water. The legend is related at length in the Nilmata, and the author of the Haracaritacintamani devotes to it a separate canto which has now become the Official Mahatmaya of the Tirtha.

According to Nilmata; Once many sages stood in great penance on the sacred bank of Drsadvati in Kurukshetra to have a sight of Rudra-the lord of the Gods. Impressed by their Devotion, Shiva told them in a Dream to go soon to Kasmira where there is a spacious and immaculate abode of the Naga. He told them that there he would be visible in Disguise. Having heard him in a dream they all reached the abode of the Naga. They could not see even a little water, for the water was all covered with pieces of wood. Moving the wooden logs with their hands, the best sages obtained Rudrahood with their bodies by merely taking bath.

However, one vasistha Brahman, named Graparasar neither took the bath nor touched the wooden logs. He went on prolonged fasting and made his body decay. Rudra then spoke to him in a dream and advised him to obtain Rudrahood quickly by taking bath and touching the wooden logs.  Gauraparasara persisted, ‘that you can be visible after the attainment of Rudrahood is a fact, ‘O father of the world! But my mind is not satisfied without the sight of the lord of the Gods. You have said that you would be visible in disguise in the abode( of the Naga).

The Brahman refuses to leave and continues fasting, Sankara replies:  I have already provided them, my manifestation in the form of the wooden log. Merely by seeing me, they attained Rudrahood, O twice-Born! Now, due to your penance which is greater, I give you the desired boon. Ask for what you desire and Obtain Rudrahood.

The Brahman demands that Mahesvara should manifest in the form of a wooden log, to all the human beings, as it did to the sages. Mahesvara agrees and remarks, ‘O best among the twice-born, all those people who will see(the god) standing in the form of wood, (will see the gods) not always but only occasionally. With a desire to do favor to them, my gana-the Nandi in the form of wooden log shall always be visible to the human beings. And having seen (him) they would attain Rudrahood with their bodies. As I shall appear before men, so I shall obtain the name, Kapatesvara.

Alberuni too had heard of the Kapateshvara tirtha and its legend. He writes ‘ a pond called Kudaishashr(Kapatesvar) to the left of the source of the vitasta, in the middle of the month of Vaisakha, Mahadeva appears annually.’

AB-L-FAZL, Ain-I Akb, ii, p.358, mentions “in the village of Kotihar, a deep spring surrounded by stone temples. When its water decreases, an image of Mahadeva in Sandalwood appears.”

The sacred spring rises in a large circular tank which is enclosed by an ancient stone-wall and steps leading into the water. According to Kalhana’s account this enclosure was constructed, about a century before his own time, at the expense of the well-known king Bhoja of Malava.The latter is said to have taken a vow always to wash his face in the water of the Papasundana spring.

Connection between Sarda temple and Kapteshwar temple

Though, the architecture of Sharda temple (POK) resembles to that of the Kashmiri architecture , which can still be found in the ruins of Naranaag or the the Sun temple of Martand, But for some reasons, Sir A.Stein thought that the ruins of Sarda resemble most to that of Kapateshwara temple.

Also, it is intriguing,   to note that the famous travelers and Historians of the past, like Alberuni and Ab-L-Fazl, both have written that there was the legend of the mysterious and venerated Idol of Sharda at the Temple (POK). Pertinently, both have mentioned that the wooden idol of Mahadeva would emerge from a pond at Kapatesvara, when its water receded.

This clearly indicates, that in Kashmir, there was use of Sandalwood for making Idols of Gods/Godesses; although it is not clear, how it came into existence for religious purposes and how it ended .But, as of today, The Redoubtable temples of Kashmirian architecture, be it Sarda, Martand, or Naranaag are at the brink of extinction and need immediate attention from the concerned authorities. The hoary legends, that once reverberated in the cradle of Kashmir valley, are reduced to dying  echoes .

However, some of the sacred Hymns like- ‘Kashmir Purvasini, Vidhya Dieyinam Shawetambuj Viharinam, Chaturbuj Dharini… Shattantriveena Vadini… Mokshadayini, Papanashneemam … Vitasta Rupenam … Himachidit Girishshobinam … Kalashamrit Dharayae. Translated this means;Residing in Kashmir from ancient times..giver of knowledge.. seated on a white bird {Swan}..having four arms, carries hundred stringed veena.. giver of moksha and forgiver of sins.. just like with grace of Vitasta {Jhelum River}.. gracing a snow clad mountain..carrying a pot with holy nectar-    will remain immortal. And with it, will live- ‘the legend of Sarda ‘ forever.

And so will the mystery…

 

( by:Sandeep Raj koul)

 

 

 

 

 

(Photo courtesy: Rukhsana Khan)

 

 

References:

the shrine of Sharda-note B-I 37-Kalhana’s Rajatarangini(M.A.Stein)

tirtha of Kapatesvara,p-467,Kalhana’s Rajtarangini-ii volme(M.A.Stein)

http://www.ikashmir.net/saints/shankracharyavisittokashmir.html

https://en.wikipedia.org/wiki/Sharada_Peeth

https://en.wikipedia.org/wiki/Sandalwood

http://www.sringeri.net/history

http://www.sringeri.net/history/sri-adi-shankaracharya/biography/abridged-madhaviya-shankara-digvijayam/part-5

http://panunkashmir.org/kashmirsentinel/maya1999/4.5.html

http://koausa.org/temples/sharda3.html